Issue Archive
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Cinema of the 1960s
- The Life and Times of Jean-Pierre Mocky
- The Innocents: A subtle exploration in possible psychosis
- Night of the Living Dead (George Romero, 1968)
- The Representation of Trauma and Memory in The Pawnbroker (Sidney Lumet, 1965)
- Revisiting Accattone (Pier Paolo Pasolini, 1961)
- Not Recognizing the Boundary: A study of Shohei Imamura’s A Man Vanishes (1967)
- Conflicts of the Heart in the Films of Ingmar Bergman
- Cinema as Thought: Teorema (Pier Paolo Pasolini, 1968) and Salo (Pier Paolo Pasolini, 1975)
- Reading Peeping Tom again: Mediated Voyeurism and Fragmented Reality
- Sad Hill Unearthed: Paying Tribute to Sergio Leone
50th Anniversary of The Good, the Bad and the Ugly
- The Life and Times of Jean-Pierre Mocky
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FNC 2018
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Oh Canada (with special focus on Québec)
- Charting the Quebec Film Industry: A Review of Crosscurrents: How film policy developed in Quebec, 1960-1983 (Constance Dilley, 2018)
- Review of Constance Dilley, Crosscurrents: How film policy developed in Quebec 1960-1983 (Québec, Press de l’Université du Québec, 2018)
- A City Symphony within a Noir: Romantic and National Ideals in Whispering City
Québec Productions Corporation
- Sunrise: A Song of Two Humans: Notes on the Screening of a Silent Film
Montreal's Film Society
- Imagery of a Canadian Babylon: Themes of Religion, Gender and Class in Rude
- The Lingering Taste of Fragmented Narratives; A Conversation with Filmmaker Winston DeGiobbi
- Charting the Quebec Film Industry: A Review of Crosscurrents: How film policy developed in Quebec, 1960-1983 (Constance Dilley, 2018)
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Fantasia 2018
- Joe Dante: Monster Kid
- Dennison Ramalho Talks to Offscreen at Fantasia 2018
- Fantasia Film Festival Coverage: Interview with Cast and Crew of The Ranger (2018)
- Isa Mazzei and Daniel Goldhaber discuss their debut Cam (2018)
- Fantasia 2018: Nobuhiko Obayashi and the Perpetual Promise of Youth
- Fantasia 2019 Preview
- Joe Dante: Monster Kid
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BOO! It’s the Horror Issue
- Skinned: From Surgical Horror to Body Horror
- The transcendence of the soul and the transcendence of flesh: a study in female subjectivity and on abject imagery of putrefaction in Argento’s Suspiria and Phenomena
- Chaos Reigns: Grief and Psychonatural Space in Horror Cinema
- Synthesising the Special Effects of Classical Cinema in Francis Ford Coppola’s Bram Stoker’s Dracula
- They’re Here’: Supernatural Televisions in the Horror Genre
- The Home Invasion Film: A Motive Beyond Reason
- Art & Horror: A Living Portfolio
- Hurts So Good: Exploring Paraphilic Cinema
- Skinned: From Surgical Horror to Body Horror
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Festivals From Greece to Canada
- 32nd Leeds International Film Festival, November 2018
- TIFF 2018: Body of Evidence
Toronto International Film Festival
- RIDM 2018: An Interview with Kazuhiro Soda
Rencontres Internationales du Documentaire de Montréal
- Interview with Tolga Karaçelik on his latest film Butterflies at the 59th Thessaloniki International Film Festival
- 67th International Film Festival of Mannheim-Heidelberg
15-25 November 2018
- 32nd Leeds International Film Festival, November 2018
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Presenting Alfred Hitchcock (and Terence Davies)
- Hitchcock Blonde: Scarlett Johansson, Scream Queen!
- Decline to Fall: Is Hitchcock’s Most Celebrated Film All That It’s Cracked Up to Be?
- Filmic Space and Real Time in Rope
- Eccentric Sensibilities: A Quiet Passion, a film on Emily Dickinson by Terence Davies
- The Long Day Closes (Terence Davies, 1992)
- Hitchcock Blonde: Scarlett Johansson, Scream Queen!
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Bad Movies
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Netflix and Academics
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The 1970s: The Decade that Keeps Giving
