Issue Archive
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Film Noir Triple Issue
- NOIR CITY INTERNATIONAL: the 18th Annual San Francisco Film Noir Festival, 24 January – 2 February, 2020, “It’s a bitter little world”. Part 1
Part 1: Defining Film Noir
- NOIR CITY INTERNATIONAL: the 18th Annual San Francisco Film Noir Festival, 24 January – 2 February, 2020, “It’s a bitter little world” Part 2
International Film Noir
- NOIR CITY INTERNATIONAL: the 18th Annual San Francisco Film Noir Festival, 24 January – 2 February, 2020, “It’s a bitter little world”, Part 3
International Noir from Republic of Korea, Italy, (the former) Czechoslovakia, England, Japan, and (the former) West Germany
- Charles Laughton’s Uniquely Noir Night of the Hunter (1955)
- Adam Nayman on Ben Wheatley
Ben Wheatley: Confusion and Carnage
- The Women Who Ran Hollywood?
Book Review
- Blood Simple
Noir Meets New Hollywood
- In conclusion, John Boorman
- The Brain Eaters (Bruno VeSota, 1958): Science-Fiction Meets Noir
- Blast of Silence: Noir at the End
- A Matter of Principal (Jeffrey Goodman , 2003) & The Last Lullaby (Jeffrey Goodman, 2008)
Hard Case Crime, Film Noir style
- The Velvet Touch (Jack Gage, 1948)
- The Woman in the Window and Scarlet Street (Fritz Lang, 1944/1945)
- Sex & Pen: the representation of writers in Sunset Boulevard and In a Lonely Place
- Nothing Is Wrong: Notes on Costume in Klute (1971)
- NOIR CITY INTERNATIONAL: the 18th Annual San Francisco Film Noir Festival, 24 January – 2 February, 2020, “It’s a bitter little world”. Part 1
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Fantasia 2019 (and ahead to 2020)
- Fantasia 2019, edition 23: A Report From the Trenches
- Fantasia 2019: A Report from the Front lines
- Virus / Film / Festival
Decoder between Fantasia 2019-20
- Jennifer Reeder at Fantasia 2019: Knives and Skin
- Canadian Movies at Fantasia
From 1996 to 2019
- Fantasia 2020 Preview: The Festival is Coming From Inside the House
- Fantasia 2019, edition 23: A Report From the Trenches
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Illness and Mental Health
- A Different Kind of Man: Mark Ruffalo in Infinitely Polar Bear and Spotlight
- Old Age is a Ceremony of Losses: The Tranquil Thoughts of Donald Hall
The Poetry of Baseball
- Everything’s the Same, Just a Little Worse: Depression and Embodiment in Goran Dukic’s Wristcutters: A Love Story
- The Rapture (Michael Tolkin, 1991) and Spiritual Malaise
- Human, Space, Time and Human— Apocalypse and Life’s (im)possibility
- A Different Kind of Man: Mark Ruffalo in Infinitely Polar Bear and Spotlight
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Reel Politics
- Fate Hate
Quentin Tarantino and Reel Politics
- Bad Feminists are the Bingeworthy Storytellers Television Needs
- Fahrenheit 11/9 (Michael Moore, 2018)
- From Little Steps to Little Mosque: Transnationality in Canadian Television
- Home is Where the Hatred Is: On Refugees in Worlds Apart, Desierto, God’s Own Country, and The Insult
- Fate Hate
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Hollywood Studio Period
- Forty Guns (Samuel Fuller, 1951)
- Wild River, starring Montgomery Clift, Jo Van Fleet, and Lee Remick, directed by Elia Kazan
The Individual Right to Private Property versus the Good of the Community and Public Use
- ReFocus: The Films of Budd Boetticher
- The Call of the Heart: John M. Stahl and Hollywood Melodrama
Book review
- Killer Queens: The Terrifying World of Disney
- Forty Guns (Samuel Fuller, 1951)
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“Small World” Films
- Female Empowerment in the “Small World” films of Midsommar (2019, Ari Aster) and The Other Lamb (2019, Malgorzata Szumowska)
- The Isle Interview with Matthew and Tori Butler-Hart
- Spatial Narration and World Building in the Feature Film Adore
- The Bamboo Raft: The Near Impossibility of Making a Short Film
- An Interview with Belgian director Jonas Govaerts (Welp, 2014)
- Female Empowerment in the “Small World” films of Midsommar (2019, Ari Aster) and The Other Lamb (2019, Malgorzata Szumowska)
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Film Festival Round-Up
- RIDM 2019: Interview with Oskar Alegría, director of Zumiriki
- RIDM: Interview with Oksana Karpovych, director of Don’t Worry, The Doors Will Open
- Style de malade: The 44th Toronto International Film Festival
- 68th Mannheim-Heidelberg International Film Festival (14-24 November 2019)
- 54th Karlovy Vary International Film Festival
- RIDM 2019: Interview with Oskar Alegría, director of Zumiriki
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Cinema of the 1960s
- The Life and Times of Jean-Pierre Mocky
- The Innocents: A subtle exploration in possible psychosis
- Night of the Living Dead (George Romero, 1968)
- The Representation of Trauma and Memory in The Pawnbroker (Sidney Lumet, 1965)
- Revisiting Accattone (Pier Paolo Pasolini, 1961)
- Not Recognizing the Boundary: A study of Shohei Imamura’s A Man Vanishes (1967)
- Conflicts of the Heart in the Films of Ingmar Bergman
- Cinema as Thought: Teorema (Pier Paolo Pasolini, 1968) and Salo (Pier Paolo Pasolini, 1975)
- Reading Peeping Tom again: Mediated Voyeurism and Fragmented Reality
- Sad Hill Unearthed: Paying Tribute to Sergio Leone
50th Anniversary of The Good, the Bad and the Ugly
- The Life and Times of Jean-Pierre Mocky
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FNC 2018
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Oh Canada (with special focus on Québec)
- Charting the Quebec Film Industry: A Review of Crosscurrents: How film policy developed in Quebec, 1960-1983 (Constance Dilley, 2018)
- Review of Constance Dilley, Crosscurrents: How film policy developed in Quebec 1960-1983 (Québec, Press de l’Université du Québec, 2018)
- A City Symphony within a Noir: Romantic and National Ideals in Whispering City
Québec Productions Corporation
- Sunrise: A Song of Two Humans: Notes on the Screening of a Silent Film
Montreal's Film Society
- Imagery of a Canadian Babylon: Themes of Religion, Gender and Class in Rude
- The Lingering Taste of Fragmented Narratives; A Conversation with Filmmaker Winston DeGiobbi
- Charting the Quebec Film Industry: A Review of Crosscurrents: How film policy developed in Quebec, 1960-1983 (Constance Dilley, 2018)
