Issue Archive
-
Political Film and Theory
- Penetrating the Depths of Teenage Life: Digital Participation and Subversive Sleuthing on Netflix’s American Vandal
- First Tragedy, Now Farce: Nixon (The Post and Mark Felt), Reagan (The Reagan Show and American Made) and George W. Bush (W.)
- Snowden vs. Hollywood
Reel vs Real Politics
- Signs and Meaning: Film Studies and the Legacy of Poststructuralism
- Jean Rouch: The Camera as Theoretical Instrument
- Penetrating the Depths of Teenage Life: Digital Participation and Subversive Sleuthing on Netflix’s American Vandal
-
Fantasia 2017
- Good Time on the Death Line at Fantasia 2017
- A Canadian in Japan: An Interview with Filmmaker Philippe McKie
Fantasia 2017
- An Interview with Masaaki Yuasa
Fantasia 2017
- A Ghost Story (2017, David Lowery): Grief, Sorrow and Meloncholia
Fantasia 2017, Winner of the Camera Lucida AQCC Prize
- Hong Kong in March, 2018
- Good Time on the Death Line at Fantasia 2017
-
Comedy Old and New
-
The Audio Visual Essay
- Through Her Eyes: Visuality and the Gaze in The Descent
Audio-Visual Essay
- The Face at the Window: A Glimpse into an Iconic Image
Audio-Visual Essay
- Drove: Film Criticism and Aesthetics in Drive
Audio-Visual Essay
- Film Soundtracks: Pop Songs in Films
Audio-Visual Essay
- The Censoring of Sexual Counter-discourses in Recent British Digital Media Landscapes
Audio-Visual Essay
- Through Her Eyes: Visuality and the Gaze in The Descent
-
Stephen Hawking
- Faith, Knowledge, Illness, Sacrifice: Stephen and Jane Hawking in the film The Theory of Everything
- Vicariously Violent: The Case of Lav Diaz’s From What Is Before
- Reform Cinema in Iran: Film and Political Change in the Islamic Republic
Book by Blake Atwood
- The End of an Era? Michael Haneke’s Happy End
- The Existentialist Realism of New Russian Cinema: Notes From the St. Petersburg’s FIPRESCI Colloquium, November 2017
- Faith, Knowledge, Illness, Sacrifice: Stephen and Jane Hawking in the film The Theory of Everything
-
Films of the 1940s
- Noir City 16, San Francisco, 26 January-4 February, 2018, Eddie Muller and the Film Noir Foundation
- Subverting gender – Cornell Woolrich and the women of film noir
- Torment (aka, Frenzy) (Alf Sjöberg, 1944)
- Pas sur la bouche: How Siodmak’s Spiral Staircase Was Built
- The Ox-Bow Incident (William A. Wellman, 1943)
- Noir City 16, San Francisco, 26 January-4 February, 2018, Eddie Muller and the Film Noir Foundation
-
As Things Come to an End
- “Once upon a time… The Western. A New Frontier in Art and Film”
Montreal Museum of Fine Arts Show Entertains and Enlightens
- Clicking rewind: Saying goodbye to my neighbourhood video store
- Faith and Disbelief, Commerce and Culture: Wadjda and A Hologram for the King, two films with stories inspired by Saudi Arabia
- The Best Films of 1917
From Chaplin to Feuillade
- “Frankophobia: On the Fear of Adulthood in Blue Velvet and Frank
- “Once upon a time… The Western. A New Frontier in Art and Film”
-
Returning to Twin Peaks
- A Twin Peaks Haiku
With Photo Essay in Seventeen Parts
- Circling the Void: Twin Peaks Returns
- Get Coffee, Get Naked, & Die; or, Why I Prefer Pawn Stars to Twin Peaks: The Return
- In Heaven Everything is Fine: Murder and Martyrdom in the Lynchverse, from Peter Ivers to Laura Palmer
- Three Soundtrack Albums and a Record Player: A Twin Peaks Music Review (Sort Of)
- Ghosting the Machine
Time / Telephones / Trauma
- Twin Peaks: The Return, Part 8: The Western, Science-Fiction and The BIG BOmB
- Secret Histories Return to Twin Peaks
Mark Frost and the Spatiotemporal Expansion of Season 3
- The Fifth and Sixth Seasons of Twin Peaks, Plus the Two Holiday Specials
- You Can’t Go Home Again: A Twin Peaks Story
- A Twin Peaks Haiku
-
Cinema Reinventing Itself: From Conservation to Creation
-
Festivals 2017
