Film Reviews

A Modest Meditation on Mexican Modernism: Alonso Ruizpalacios’s Güeros and Alejandro González Iñárritu’s The Revenant

Published in Volume 27, Issue 1-2 / February 2023
Daniel Garrett
In Search of Complexity: America, India, and Pakistan in Mira Nair’s The Namesake and The Reluctant Fundamentalist

Published in Volume 27, Issue 1-2 / February 2023
Daniel Garrett
Soul Sisterhood: A Continuous Take on Pasifika Femininity, Heritage, and Community in Vai (2019)

Published in Volume 26, Issue 12 / December 2022
M. Sellers Johnson
Aftersun (2022): The Blues of Ordinariness

Published December 1, 2022
Burak Yilmaz
Friendship and Historical Materialism in Raoul Peck’s The Young Karl Marx

Published in Volume 26, Issue 9-10-11 / November 2022
Daniel Garrett
American Masters and Monsters: Jefferson in Paris and The Golden Bowl, two films of love and power by James Ivory, Ruth Prawer Jhabvala, and Ismail Merchant

Published in Volume 26, Issue 9-10-11 / November 2022
Daniel Garrett
I think therefore I am? Gaspar Noé‘s Vortex

Published in Volume 26, Issue 7-8 / August 2022
Greta Gard
What does Men (2022) really tell about men?

Published in Volume 26, Issue 7-8 / August 2022
Serdar Küçük
Fantasia 2021: The Return of In-Person Screenings and an Offering from Takashi Miike

Published in Volume 26, Issue 6 / June 2022
Randolph Jordan
The Second Father – Hiroshi Inagaki’s Rickshaw Man

Published June 30, 2022
Karthick Ram Manoharan