Offscreen

Eclectic & Serious Film Criticism

Essays

  • Land in Outback Noir Films: Trope of Spatial Alienation of Aboriginal People in Ivan Sen’s Mystery Road (2013) and Goldstone (2016)

    Published in Volume 26, Issue 12 / December 2022
    Parvathy Das

  • Exterminate all the Brutes (Raoul Peck, 2021) & Speakers for the Dead (David Sutherland & Jennifer Holness, 2000)

    Published in Volume 26, Issue 12 / December 2022
    Donato Totaro

  • A Synchronous Brew of Spice, Song, and Memory: Unpacking the Transgressive Layers of Ritesh Batra’s The Lunchbox

    Published in Volume 26, Issue 12 / December 2022
    Sakhi Thirani

  • Caro Diaro and Other Films

    Published in Volume 26, Issue 9-10-11 / November 2022
    Antonio D’Alfonso

  • Eerie Totality in Bertrand Bonello’s Nocturama

    Published in Volume 26, Issue 9-10-11 / November 2022
    Adam Cook

  • Hollywood & Human Progress: Imagining a Better Future

    Published in Volume 26, Issue 9-10-11 / November 2022
    Leon Saunders Calvert

  • Mrs. Dalloway and The Hours: The Slippery Divide Between Fiction and Reality

    Published in Volume 26, Issue 9-10-11 / November 2022
    Anna Tatelman

  • To the Bitter End: Looking Back at Mikio Naruse’s Doomed Romances

    Published in Volume 26, Issue 9-10-11 / November 2022
    Hiranmoy Lahiri

  • Time and Its Other

    Published in Volume 26, Issue 9-10-11 / November 2022
    Anton M. Kolev

  • 1917: The ‘Hard Work’ of the Digital Long Take

    Published in Volume 26, Issue 9-10-11 / November 2022
    Donato Totaro

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