Essays

Sōmai Shinji, the Forgotten Master of Long Take and Coming-of-Age Cinema

Published in Volume 26, Issue 9-10-11 / November 2022
Tim Deschaumes
The Murder of a Category: The Promise (Terry George, 2016) and Idealism, History, and Armenian Genocide in Turkey

Published in Volume 26, Issue 7-8 / August 2022
Daniel Garrett
The Experience of a Life Time: Death, Mortal Peril, and Adventure on Screen

Published in Volume 26, Issue 7-8 / August 2022
Steffen Hantke
The Final Girl and Male vs. Female Representation in Horror Films

Published in Volume 26, Issue 7-8 / August 2022
Andrea G. Sotelo
Traumatised and Traumatising Performances: Men and Rose Plays Julie

Published in Volume 26, Issue 7-8 / August 2022
George Kowalik
Fighting for Freedom, at War with Democracy

Published in Volume 26, Issue 6 / June 2022
George Kowalik
Representation of The Stolen Generation in Select Australian Feature Films

Published in Volume 26, Issue 5 / May 2022
Betty Merin Eapen
The Many are One: The Wholeness of Native Americans in Te Ata (Frankowski, 2016)

Published in Volume 26, Issue 5 / May 2022
Daniel Garrett
Play Misty for Me (Clint Eastwood, 1971) Still Shocks and Mesmerizes 50 Years Later

Published in Volume 26, Issue 3-4 / April 2022
Xavier Martinez
The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia

Published in Volume 26, Issue 3-4 / April 2022
Jay Plaat