Essays

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  100 and 101 Years Ago: The Best Films of 1922 and 1923

  Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
  Peter Rist

• 

  The Fantastic Worlds of Lorcan Finnegan

  Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
  Donato Totaro

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  Imagining the Irish Revolution on Film

  Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
  David Hanley

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  The Documentary Genre and Healing Ireland’s Transgenerational Trauma

  Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
  Lainey Immell

• 

  Don’t Look Now (Nicolas Roeg, 1973): A Portrait of Venice in the Winter

  Published in Volume 27, Issue 8-9-10 / October 2023
  Xavier Martinez

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  Mirrors, Murders, and Morals: A Reexamination of Jim Jarmusch’s Dead Man

  Published in Volume 27, Issue 8-9-10 / October 2023
  Anna Tatelman

• 

  “Nicolas Who?”

  Published in Volume 27, Issue 8-9-10 / October 2023
  Mike LeSuer

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  The Passion of Joan of Arc: The Censorship and Rediscovery of a Silent Film Classic

  Published in Volume 27, Issue 8-9-10 / October 2023
  Patrick Galvan

• 

  ‘Original Copy’: Inverting Platonism in Abbas Kiarostami’s Certified Copy

  Published in Volume 27, Issue 8-9-10 / October 2023
  Zina Giannopoulou

• 

  Vancouver’s Narrative Architecture

  Published in Volume 27, Issue 8-9-10 / October 2023
  Elya Myers