Essays

Traumatised and Traumatising Performances: Men and Rose Plays Julie

Published in Volume 26, Issue 7-8 / August 2022
George Kowalik
Fighting for Freedom, at War with Democracy

Published in Volume 26, Issue 6 / June 2022
George Kowalik
Representation of The Stolen Generation in Select Australian Feature Films

Published in Volume 26, Issue 5 / May 2022
Betty Merin Eapen
The Many are One: The Wholeness of Native Americans in Te Ata (Frankowski, 2016)

Published in Volume 26, Issue 5 / May 2022
Daniel Garrett
Play Misty for Me (Clint Eastwood, 1971) Still Shocks and Mesmerizes 50 Years Later

Published in Volume 26, Issue 3-4 / April 2022
Xavier Martinez
The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia

Published in Volume 26, Issue 3-4 / April 2022
Jay Plaat
Circles, Myth, and Darwinism: Stanley Kubrick’s 2001: A Space Odyssey and Peter Greenaway’s A Zed and Two Noughts (ZOO)

Published in Volume 26, Issue 3-4 / April 2022
Stefan Gullatz
Experiments in Polyphonic Cinema: Observations of Precision Temporal Matching Between Solaris and 2001: A Space Odyssey

Published in Volume 26, Issue 3-4 / April 2022
Brian D. McKenna
From “Eh?” to Zedd: R.I.P. founder of The Cinema of Transgression

Published in Volume 26, Issue 3-4 / April 2022
Rick Trembles
In His Father’s Steps: Jean Renoir’s Evolving Relationship with Impressionism in Partie de campagne and Le déjeuner sur l’herbe

Published in Volume 26, Issue 1-2 / February 2022
David Hanley