Offscreen

Cinema as Pleasure Principle

Essays

  • Aleksei German’s Counter History/Realism

    Published in Volume 28, Issue 2-4 / April 2024
    Matthew Sanders

  • Dispossession; and the Consequences of Settler Colonialism: Palestinians in Salt of this Sea (Annemarie Jacir, 2008), Out in the Dark (Michael Mayer, 2012), and Omar (Hany Abu-Assad, 2013)

    Published in Volume 28, Issue 2-4 / April 2024
    Daniel Garrett

  • 100 and 101 Years Ago: The Best Films of 1922 and 1923

    Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
    Peter Rist

  • The Fantastic Worlds of Lorcan Finnegan

    Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
    Donato Totaro

  • Imagining the Irish Revolution on Film

    Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
    David Hanley

  • The Documentary Genre and Healing Ireland’s Transgenerational Trauma

    Published in Volume 27 Issue 11-12/Volume 28 Issue 1 / January 2024
    Lainey Immell

  • Don’t Look Now (Nicolas Roeg, 1973): A Portrait of Venice in the Winter

    Published in Volume 27, Issue 8-9-10 / October 2023
    Xavier Martinez

  • Mirrors, Murders, and Morals: A Reexamination of Jim Jarmusch’s Dead Man

    Published in Volume 27, Issue 8-9-10 / October 2023
    Anna Tatelman

  • “Nicolas Who?”

    Published in Volume 27, Issue 8-9-10 / October 2023
    Mike LeSuer

  • The Passion of Joan of Arc: The Censorship and Rediscovery of a Silent Film Classic

    Published in Volume 27, Issue 8-9-10 / October 2023
    Patrick Galvan

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