Offscreen

Eclectic & Serious Film Criticism

Essays

  • ‘Original Copy’: Inverting Platonism in Abbas Kiarostami’s Certified Copy

    Published in Volume 27, Issue 8-9-10 / October 2023
    Zina Giannopoulou

  • Vancouver’s Narrative Architecture

    Published in Volume 27, Issue 8-9-10 / October 2023
    Elya Myers

  • ‘Game Horror’ as a Reflection of America

    Published in Volume 27, Issue 6-7 / July 2023
    Reece Goodall

  • Zones: Post-industrial aesthetics and environments after Stalker

    Published in Volume 27, Issue 3-4-5 / May 2023
    Ryan Madson

  • Descriptive Audio: Direct Address in Banksy’s Exit Through the Gift Shop and Werner Herzog’s Little Dieter Needs to Fly

    Published in Volume 27, Issue 3-4-5 / May 2023
    Michael Sooriyakumaran

  • Mockumentary in the Hands of Peter Watkins

    Published in Volume 27, Issue 3-4-5 / May 2023
    Vincenzo Nappi

  • Alfred Hitchcock and the Moving Camera: Authorship, Style, and Declarative Aesthetics

    Published in Volume 27, Issue 1-2 / February 2023
    Kyle Barrowman

  • Sports Queen (1934): Li Lili, the Physical Fitness Propaganda Film, and the New Life Movement of the 1930s

    Published in Volume 27, Issue 1-2 / February 2023
    Patrick Galvan

  • The Forestmaker:  Reportage, Poetry, and Advocacy

    Published in Volume 27, Issue 1-2 / February 2023
    George Lellis, Hans-Bernhard Moeller

  • The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girl

    Published in Volume 27, Issue 1-2 / February 2023
    Elaine Lennon

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