Essays

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  The Girl Who Knew Too Much:  Shadow of a Doubt (1943) Part One, The Gothic Girls of Hollywood

  Published in Volume 27, Issue 1-2 / February 2023
  Elaine Lennon

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  Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud

  Published in Volume 27, Issue 1-2 / February 2023
  Michael Sooriyakumaran

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  Land in Outback Noir Films: Trope of Spatial Alienation of Aboriginal People in Ivan Sen’s Mystery Road (2013) and Goldstone (2016)

  Published in Volume 26, Issue 12 / December 2022
  Parvathy Das

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  Exterminate all the Brutes (Raoul Peck, 2021) & Speakers for the Dead (David Sutherland & Jennifer Holness, 2000)

  Published in Volume 26, Issue 12 / December 2022
  Donato Totaro

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  A Synchronous Brew of Spice, Song, and Memory: Unpacking the Transgressive Layers of Ritesh Batra’s The Lunchbox

  Published in Volume 26, Issue 12 / December 2022
  Sakhi Thirani

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  Caro Diaro and Other Films

  Published in Volume 26, Issue 9-10-11 / November 2022
  Antonio D’Alfonso

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  Eerie Totality in Bertrand Bonello’s Nocturama

  Published in Volume 26, Issue 9-10-11 / November 2022
  Adam Cook

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  Hollywood & Human Progress: Imagining a Better Future

  Published in Volume 26, Issue 9-10-11 / November 2022
  Leon Saunders Calvert

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  Mrs. Dalloway and The Hours: The Slippery Divide Between Fiction and Reality

  Published in Volume 26, Issue 9-10-11 / November 2022
  Anna Tatelman

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  To the Bitter End: Looking Back at Mikio Naruse’s Doomed Romances

  Published in Volume 26, Issue 9-10-11 / November 2022
  Hiranmoy Lahiri