
Current Issue
Comparative Analysis
This double month issue places a focus on an exciting new research project by Brian D. McKenna on the speculative conjoining of two titans of science-fiction cinema, 2001: A Space Odyssey (1968) and Solaris (1971).
In this issue
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Experiments in Polyphonic Cinema: Observations of Precision Temporal Matching Between Solaris and 2001: A Space Odyssey
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Polyphonic Cinema
The case for a precision temporal relationship between Tarkovsky's Solaris and Kubrick's 2001: A Space Odyssey
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Comparative Openings: The Mummy (1932) Meets The Exorcist (1973)
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From “Eh?” to Zedd: R.I.P. founder of The Cinema of Transgression
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Circles, Myth, and Darwinism: Stanley Kubrick’s 2001: A Space Odyssey and Peter Greenaway’s A Zed and Two Noughts (ZOO)
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The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia
On the rhythm of any-space-whatever in Andrei Tarkovsky’s Nostalghia
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Thug Nation: Russia in Leviathan and The Student
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Play Misty for Me (Clint Eastwood, 1971) Still Shocks and Mesmerizes 50 Years Later
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Leeds International Film Festival 2021: the conundrum of how to end a film.
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LFF: 2021, A Festival Report