Current Issue
The Digital Long Take, Political Views on Cinema, Film Festivals, and more
A multi-themed triple issue, on the fascinating aesthetics of the long take, festival reports from around the globe and politically informed cinemas.
In this issue
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1917: The ‘Hard Work’ of the Digital Long Take
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Sōmai Shinji, the Forgotten Master of Long Take and Coming-of-Age Cinema
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Children of Men: A Witness to Absurdity
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Time and Its Other
The Temporal Landscapes of Béla Tarr
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To the Bitter End: Looking Back at Mikio Naruse’s Doomed Romances
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Berlinale 2022: The Great Restart
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36th Leeds International Film Festival 3-17 November 2022
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The London Film Festival, 2022
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Benjamin Halligan, Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society
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Mrs. Dalloway and The Hours: The Slippery Divide Between Fiction and Reality
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Hollywood & Human Progress: Imagining a Better Future
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Friendship and Historical Materialism in Raoul Peck’s The Young Karl Marx
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Eerie Totality in Bertrand Bonello’s Nocturama
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Caro Diaro and Other Films
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American Masters and Monsters: Jefferson in Paris and The Golden Bowl, two films of love and power by James Ivory, Ruth Prawer Jhabvala, and Ismail Merchant
