Offscreen

Where Film Matters

Essays

  • Time and Its Other

    Published in Volume 26, Issue 9-10-11 / November 2022
    Anton M. Kolev

  • 1917: The ‘Hard Work’ of the Digital Long Take

    Published in Volume 26, Issue 9-10-11 / November 2022
    Donato Totaro

  • Sōmai Shinji, the Forgotten Master of Long Take and Coming-of-Age Cinema

    Published in Volume 26, Issue 9-10-11 / November 2022
    Tim Deschaumes

  • The Murder of a Category: The Promise (Terry George, 2016) and Idealism, History, and Armenian Genocide in Turkey

    Published in Volume 26, Issue 7-8 / August 2022
    Daniel Garrett

  • The Experience of a Life Time: Death, Mortal Peril, and Adventure on Screen

    Published in Volume 26, Issue 7-8 / August 2022
    Steffen Hantke

  • The Final Girl and Male vs. Female Representation in Horror Films

    Published in Volume 26, Issue 7-8 / August 2022
    Andrea G. Sotelo

  • Traumatised and Traumatising Performances: Men and Rose Plays Julie

    Published in Volume 26, Issue 7-8 / August 2022
    George Kowalik

  • Fighting for Freedom, at War with Democracy

    Published in Volume 26, Issue 6 / June 2022
    George Kowalik

  • Representation of The Stolen Generation in Select Australian Feature Films

    Published in Volume 26, Issue 5 / May 2022
    Betty Merin Eapen

  • The Many are One: The Wholeness of Native Americans in Te Ata (Frankowski, 2016)

    Published in Volume 26, Issue 5 / May 2022
    Daniel Garrett

Next →

← Previous

  • Essays
  • Interviews
  • Videos
  • Film Reviews
  • Capsule Reviews
  • Buck A Review
  • Blu-ray/DVD
  • Book Reviews
  • Festival Reports
  • Issue Archive
  • Offscreen Ebooks
  • Subscribe
  • Donate
Follow @Offscreen2
Fantasia 2020

Advertise on Offscreen

  • About Us
  • Contributors
  • Offscreen Notes
  • Contact Us
  • Contributor Guidelines
  • Links

© 1997 – 2025 Offscreen, ISSN 1712-9559

We acknowledge the support of the Canada Council for the Arts Hosting by Funio Lisez aussi Hors Champ Zoom Out