Offscreen

Eclectic & Serious Film Criticism

Essays

  • Mrs. Dalloway and The Hours: The Slippery Divide Between Fiction and Reality

    Published in Volume 26, Issue 9-10-11 / November 2022
    Anna Tatelman

  • To the Bitter End: Looking Back at Mikio Naruse’s Doomed Romances

    Published in Volume 26, Issue 9-10-11 / November 2022
    Hiranmoy Lahiri

  • Time and Its Other

    Published in Volume 26, Issue 9-10-11 / November 2022
    Anton M. Kolev

  • 1917: The ‘Hard Work’ of the Digital Long Take

    Published in Volume 26, Issue 9-10-11 / November 2022
    Donato Totaro

  • Sōmai Shinji, the Forgotten Master of Long Take and Coming-of-Age Cinema

    Published in Volume 26, Issue 9-10-11 / November 2022
    Tim Deschaumes

  • The Murder of a Category: The Promise (Terry George, 2016) and Idealism, History, and Armenian Genocide in Turkey

    Published in Volume 26, Issue 7-8 / August 2022
    Daniel Garrett

  • The Experience of a Life Time: Death, Mortal Peril, and Adventure on Screen

    Published in Volume 26, Issue 7-8 / August 2022
    Steffen Hantke

  • The Final Girl and Male vs. Female Representation in Horror Films

    Published in Volume 26, Issue 7-8 / August 2022
    Andrea G. Sotelo

  • Traumatised and Traumatising Performances: Men and Rose Plays Julie

    Published in Volume 26, Issue 7-8 / August 2022
    George Kowalik

  • Fighting for Freedom, at War with Democracy

    Published in Volume 26, Issue 6 / June 2022
    George Kowalik

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