Essays

Play Misty for Me (Clint Eastwood, 1971) Still Shocks and Mesmerizes 50 Years Later

Published in Volume 26, Issue 3-4 / April 2022
Xavier Martinez
The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia

Published in Volume 26, Issue 3-4 / April 2022
Jay Plaat
Circles, Myth, and Darwinism: Stanley Kubrick’s 2001: A Space Odyssey and Peter Greenaway’s A Zed and Two Noughts (ZOO)

Published in Volume 26, Issue 3-4 / April 2022
Stefan Gullatz
Experiments in Polyphonic Cinema: Observations of Precision Temporal Matching Between Solaris and 2001: A Space Odyssey

Published in Volume 26, Issue 3-4 / April 2022
Brian D. McKenna
From “Eh?” to Zedd: R.I.P. founder of The Cinema of Transgression

Published in Volume 26, Issue 3-4 / April 2022
Rick Trembles
In His Father’s Steps: Jean Renoir’s Evolving Relationship with Impressionism in Partie de campagne and Le déjeuner sur l’herbe

Published in Volume 26, Issue 1-2 / February 2022
David Hanley
Stars in Red and Gold: The American Myth Recuperated in American Vampire (2010)

Published in Volume 26, Issue 1-2 / February 2022
Justin H. Langlois
The Cost of Transcendence: Painter-Filmmaker Julian Schnabel, Mark Rothko, and the Art Market

Published in Volume 26, Issue 1-2 / February 2022
Daniel Garrett
Transgressing the Frame: Onscreen Art Between Form and Formlessness

Published in Volume 26, Issue 1-2 / February 2022
Emmalea Russo
A Deep Dive in a Yellow Submarine

Published in Volume 26, Issue 1-2 / February 2022
David Hanley