Essays

Alfred Hitchcock and the Moving Camera: Authorship, Style, and Declarative Aesthetics

Published in Volume 27, Issue 1-2 / February 2023
Kyle Barrowman
Sports Queen (1934): Li Lili, the Physical Fitness Propaganda Film, and the New Life Movement of the 1930s

Published in Volume 27, Issue 1-2 / February 2023
Patrick Galvan
The Forestmaker: Reportage, Poetry, and Advocacy

Published in Volume 27, Issue 1-2 / February 2023
George Lellis, Hans-Bernhard Moeller
The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girl

Published in Volume 27, Issue 1-2 / February 2023
Elaine Lennon
The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part One, The Gothic Girls of Hollywood

Published in Volume 27, Issue 1-2 / February 2023
Elaine Lennon
Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud

Published in Volume 27, Issue 1-2 / February 2023
Michael Sooriyakumaran
Land in Outback Noir Films: Trope of Spatial Alienation of Aboriginal People in Ivan Sen’s Mystery Road (2013) and Goldstone (2016)

Published in Volume 26, Issue 12 / December 2022
Parvathy Das
Exterminate all the Brutes (Raoul Peck, 2021) & Speakers for the Dead (David Sutherland & Jennifer Holness, 2000)

Published in Volume 26, Issue 12 / December 2022
Donato Totaro
A Synchronous Brew of Spice, Song, and Memory: Unpacking the Transgressive Layers of Ritesh Batra’s The Lunchbox

Published in Volume 26, Issue 12 / December 2022
Sakhi Thirani
Caro Diaro and Other Films

Published in Volume 26, Issue 9-10-11 / November 2022
Antonio D’Alfonso