Offscreen

Cinema as Pleasure Principle

Essays

  • In me there is the intruder: On Claire Denis and Jean-Luc Nancy’s L’intrus

    Published in Volume 29, Issue 1-2 / February 2025
    Vedant Srinivas

  • Post-War America and the Melodrama

    Published in Volume 29, Issue 1-2 / February 2025
    Nathan Kosik-Desmond

  • Flowing and Unfolding: Films by Agnès Varda, Mia Hansen-Løve and the Literature of Annie Ernaux

    Published in Volume 29, Issue 1-2 / February 2025
    Janina Ciezadlo

  • Landscape and Politics in the Films of Chris Welsby

    Published in Volume 28, Issue 11-12 / December 2024
    Cole Diment

  • Performance, “Leaky Bodies,” and the Abject Female Body in Suspiria (2018, dir. Luca Guadagnino)

    Published in Volume 28, Issue 11-12 / December 2024
    Hannah Ferguson

  • Frank Sinatra: Jazz Actor

    Published in Volume 28, Issue 11-12 / December 2024
    Frank P. Tomasulo

  • Using Gramsci’s philosophy to resolve an age-old Spaghetti Western conundrum

    Published in Volume 28, Issue 11-12 / December 2024
    Divy Tripathi

  • Cinema, Terrorism and Political Ideology: An Analysis of Subtitles in United 93

    Published in Volume 28, Issue 8-9-10 / August 2024
    Sheeba K

  • About Endlessness: In 33 Scenes

    Published in Volume 28, Issue 8-9-10 / August 2024
    Donato Totaro

  • Deerskin and the commodity-subject

    Published in Volume 28, Issue 8-9-10 / August 2024
    Anton M. Kolev

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