Issue Archive
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Fantasia 2018
- Joe Dante: Monster Kid
- Dennison Ramalho Talks to Offscreen at Fantasia 2018
- Fantasia Film Festival Coverage: Interview with Cast and Crew of The Ranger (2018)
- Isa Mazzei and Daniel Goldhaber discuss their debut Cam (2018)
- Fantasia 2018: Nobuhiko Obayashi and the Perpetual Promise of Youth
- Fantasia 2019 Preview
- Joe Dante: Monster Kid
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BOO! It’s the Horror Issue
- Skinned: From Surgical Horror to Body Horror
- The transcendence of the soul and the transcendence of flesh: a study in female subjectivity and on abject imagery of putrefaction in Argento’s Suspiria and Phenomena
- Chaos Reigns: Grief and Psychonatural Space in Horror Cinema
- Synthesising the Special Effects of Classical Cinema in Francis Ford Coppola’s Bram Stoker’s Dracula
- They’re Here’: Supernatural Televisions in the Horror Genre
- The Home Invasion Film: A Motive Beyond Reason
- Art & Horror: A Living Portfolio
- Hurts So Good: Exploring Paraphilic Cinema
- Skinned: From Surgical Horror to Body Horror
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Festivals From Greece to Canada
- 32nd Leeds International Film Festival, November 2018
- TIFF 2018: Body of Evidence
Toronto International Film Festival
- RIDM 2018: An Interview with Kazuhiro Soda
Rencontres Internationales du Documentaire de Montréal
- Interview with Tolga Karaçelik on his latest film Butterflies at the 59th Thessaloniki International Film Festival
- 67th International Film Festival of Mannheim-Heidelberg
15-25 November 2018
- 32nd Leeds International Film Festival, November 2018
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Presenting Alfred Hitchcock (and Terence Davies)
- Hitchcock Blonde: Scarlett Johansson, Scream Queen!
- Decline to Fall: Is Hitchcock’s Most Celebrated Film All That It’s Cracked Up to Be?
- Filmic Space and Real Time in Rope
- Eccentric Sensibilities: A Quiet Passion, a film on Emily Dickinson by Terence Davies
- The Long Day Closes (Terence Davies, 1992)
- Hitchcock Blonde: Scarlett Johansson, Scream Queen!
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Bad Movies
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Netflix and Academics
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The 1970s: The Decade that Keeps Giving
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The Art of Screenwriting
- A Continuation of the History of American Screenwriting 2000-2018, Part I
Little Films
- A Continuation of the History of American Screenwriting 2000-2018, Part II
Big Films
- A Continuation of the History of American Screenwriting 2000-2018, Part III
The Return of the Studio System
- When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry
- Transcultural Screenwriting. Telling Stories for a Global World
- A Continuation of the History of American Screenwriting 2000-2018, Part I
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Forbidden Love, Cinematic Desires
- But Seeing Through Whose Eyes: Call Me By Your Name and the Mechanisms of Love and Fantasy
- Beautiful Love, Despised Love: Maurice, The City of Your Final Destination, and Call Me By Your Name
- On Their Way Out: Call Me By Your Name & On My Way Out: The Secret Life of Nani and Popi
- Dirty Looks in Montreal : An Interview with Bradford Nordeen
- Looking deeply into the spirit: An in-depth interview with film director Yen Tan
- But Seeing Through Whose Eyes: Call Me By Your Name and the Mechanisms of Love and Fantasy
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Film Festival Reports: FNC, Karlovy Vary, Hot Docs
