Issue Archive
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The Art of Screenwriting
- A Continuation of the History of American Screenwriting 2000-2018, Part I
Little Films
- A Continuation of the History of American Screenwriting 2000-2018, Part II
Big Films
- A Continuation of the History of American Screenwriting 2000-2018, Part III
The Return of the Studio System
- When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry
- Transcultural Screenwriting. Telling Stories for a Global World
- A Continuation of the History of American Screenwriting 2000-2018, Part I
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Forbidden Love, Cinematic Desires
- But Seeing Through Whose Eyes: Call Me By Your Name and the Mechanisms of Love and Fantasy
- Beautiful Love, Despised Love: Maurice, The City of Your Final Destination, and Call Me By Your Name
- On Their Way Out: Call Me By Your Name & On My Way Out: The Secret Life of Nani and Popi
- Dirty Looks in Montreal : An Interview with Bradford Nordeen
- Looking deeply into the spirit: An in-depth interview with film director Yen Tan
- But Seeing Through Whose Eyes: Call Me By Your Name and the Mechanisms of Love and Fantasy
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Film Festival Reports: FNC, Karlovy Vary, Hot Docs
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Political Film and Theory
- Penetrating the Depths of Teenage Life: Digital Participation and Subversive Sleuthing on Netflix’s American Vandal
- First Tragedy, Now Farce: Nixon (The Post and Mark Felt), Reagan (The Reagan Show and American Made) and George W. Bush (W.)
- Snowden vs. Hollywood
Reel vs Real Politics
- Signs and Meaning: Film Studies and the Legacy of Poststructuralism
- Jean Rouch: The Camera as Theoretical Instrument
- Penetrating the Depths of Teenage Life: Digital Participation and Subversive Sleuthing on Netflix’s American Vandal
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Fantasia 2017
- Good Time on the Death Line at Fantasia 2017
- A Canadian in Japan: An Interview with Filmmaker Philippe McKie
Fantasia 2017
- An Interview with Masaaki Yuasa
Fantasia 2017
- A Ghost Story (2017, David Lowery): Grief, Sorrow and Meloncholia
Fantasia 2017, Winner of the Camera Lucida AQCC Prize
- Hong Kong in March, 2018
- Good Time on the Death Line at Fantasia 2017
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Comedy Old and New
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The Audio Visual Essay
- Through Her Eyes: Visuality and the Gaze in The Descent
Audio-Visual Essay
- The Face at the Window: A Glimpse into an Iconic Image
Audio-Visual Essay
- Drove: Film Criticism and Aesthetics in Drive
Audio-Visual Essay
- Film Soundtracks: Pop Songs in Films
Audio-Visual Essay
- The Censoring of Sexual Counter-discourses in Recent British Digital Media Landscapes
Audio-Visual Essay
- Through Her Eyes: Visuality and the Gaze in The Descent
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Stephen Hawking
- Faith, Knowledge, Illness, Sacrifice: Stephen and Jane Hawking in the film The Theory of Everything
- Vicariously Violent: The Case of Lav Diaz’s From What Is Before
- Reform Cinema in Iran: Film and Political Change in the Islamic Republic
Book by Blake Atwood
- The End of an Era? Michael Haneke’s Happy End
- The Existentialist Realism of New Russian Cinema: Notes From the St. Petersburg’s FIPRESCI Colloquium, November 2017
- Faith, Knowledge, Illness, Sacrifice: Stephen and Jane Hawking in the film The Theory of Everything
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Films of the 1940s
- Noir City 16, San Francisco, 26 January-4 February, 2018, Eddie Muller and the Film Noir Foundation
- Subverting gender – Cornell Woolrich and the women of film noir
- Torment (aka, Frenzy) (Alf Sjöberg, 1944)
- Pas sur la bouche: How Siodmak’s Spiral Staircase Was Built
- The Ox-Bow Incident (William A. Wellman, 1943)
- Noir City 16, San Francisco, 26 January-4 February, 2018, Eddie Muller and the Film Noir Foundation
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As Things Come to an End
- “Once upon a time… The Western. A New Frontier in Art and Film”
Montreal Museum of Fine Arts Show Entertains and Enlightens
- Clicking rewind: Saying goodbye to my neighbourhood video store
- Faith and Disbelief, Commerce and Culture: Wadjda and A Hologram for the King, two films with stories inspired by Saudi Arabia
- The Best Films of 1917
From Chaplin to Feuillade
- “Frankophobia: On the Fear of Adulthood in Blue Velvet and Frank
- “Once upon a time… The Western. A New Frontier in Art and Film”
