Issue Archive
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Festivals 2017
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Europe and a Cinema of Decadence
- Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome
- The Great Beauty, an exceptional film by Paolo Sorrentino, starring Toni Servillo
The sublime is the beauty, order, and reason suffusing existence, the purpose of existence
- Il Conformista: A Study in Contrast of Two Frames
- The Gaps and Detours in Madame de… Part 1: The Enigmatic Body
Cinema as a revealing and dangerous disease: The virus of the desire for “something else”
- The Gaps and Detours in Madame de… Part 2: Three Scenes
Cinema as a revealing and dangerous disease: that something else
- Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome
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20 Years and Counting
- 20th Anniversary Survey Responses
- An Interview With Abbas Kiarostami and Aydin Aghdashloo
Talking About Poetry, Life, Death, Art and Politics
- In Search of the Details of a Lost Time: The Case of Kiarostami’s The Report
- Embers: Meditations on Memory
Fantasia 2016
- An Interview with David Clay Diaz: On Agonie (2016)
- 20th Anniversary Survey Responses
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Cinemas of Diversity
- Daffy Duck, or: The Generous Writer
- Mekko: A Drifter’s Tale of Longing For Home
Directed by Sterlin Harjo
- In Dreams and Realities Begin Conflicts and Resolutions: Poitier Revisited and Contemporary Black American Cinema
An Internet Interview with Film Scholar Mia Mask
- Remember This House, and These Men: Abraham Lincoln (Young Mr. Lincoln), Barack Obama (Southside with You), and the Refusal of Reconciliation
- Sofia Coppola: A Cinema of Girlhood
Review of Book by Fiona Handyside
- Daffy Duck, or: The Generous Writer
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National Canadian Film Day
- National Canadian Film Day 150
Taking Stock of Canadian Film
- Top 10 Canadian Films, or Some Essential Canadian Viewing
- Karen Walton in Montreal: Chatting About Ginger Snaps
- Reviewing Vancouver’s Experimental Film Scene in Richard Martin’s Documentary Backbone
- Bruce McDonald and Don McKellar’s Deconstruction of Canadian Realism: Roadkill and Highway 61
Being Canadian, or Not Being American
- The Road, Red and White (and Blue): Canadian Identity in Bruce McDonald’s Road Trilogy
- The Role of Women in Early Film Culture: Nell Shipman and Back To God’s Country (David Hartford, 1919)
- Alfred Hitchcock & Grace Kelly
Dial M For Murder, Rear Window, and To Catch a Thief
- The Objectification of Jennifer Lawrence in Contemporary Hollywood Cinema
- 21st Sofia International Film Festival: The Coming-of-Age Edition
- National Canadian Film Day 150
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Twenty Years of Takashi Miike at the Fantasia International Film Festival
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Lights, Action, Montreal
- It is Fine! Everything is Fine. (2007, Crispin Glover, David Brothers, written co- Steven C. Stewart)
Exploitation for a Good
- Round Our House: Crispin Glover Brings His Roadshow to Montreal
- The Film Society Scores a ‘Biblical’ Success with the Original Ben Hur
Phil Spurrell, Impressario
- Introducing Wild at Heart
Notes from the Montreal Film Society
- Blue Velvet (David Lynch, 1986): We Live in a “Strange World”
- It is Fine! Everything is Fine. (2007, Crispin Glover, David Brothers, written co- Steven C. Stewart)
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North American Festivals
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British Cinema
- The Trouble With Harry: The Third Man (1949), Part 1
- The Trouble With Harry: The Third Man (1949), Part 2
- The Day the Earth Caught Fire
BFI Restored Blu Ray
- Civilization and Savagery: Painter Joseph Mallord William Turner, the subject of Mike Leigh’s film Mr. Turner
- “They Affect Dogs as Well”- Crime and British Video Censorship in the Early 1980s
The Video Nasties
- The Trouble With Harry: The Third Man (1949), Part 1
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The Independent Spirit Continues
- Charm, Courage, and Eruptions of Vulgar Force: Wes Anderson’s The Grand Budapest Hotel
An Interpretation of Violence’s Threat to Civilization
- An Interview with Scooter McCrae: The Patron “Saint” of Low Budget Horror
- Jug Face and the Legacy of The Lottery
Sacrificial Horror
- Jug Face: An Interview with Chad Crawford Kinkle and Lauren Ashley Carter
- Baby Rosemary (1976) Dir: John Hayes (as Howard Perkins) DVD from Vinegar Syndrome
- Charm, Courage, and Eruptions of Vulgar Force: Wes Anderson’s The Grand Budapest Hotel
