Issue Archive
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Critical Methodologies
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Popular Italian Cinema
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Film Noir Special
- Film Noir: A Study in Narrative Openings, Part 1
- Film Noir: A Study in Narrative Openings, Part 2
- Dark Tales from Hollywoodland
- A Left-Handed Form of Human Endeavour: Narrative Comparisons & Contrasts Between the Noir Heist Films The Asphalt Jungle and The Killing
- Singapore Sling: Postmodern Noir, Narrative, and Destructive Desire
Cult Cinema Extraordinaire
- Film Noir: A Study in Narrative Openings, Part 1
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Sound in the Cinema and Beyond
- Sound in the Cinema and Beyond
An Overview
- Forum 1: Favourite Moments of Film Sound
Celebrating 80 Years of the Sound Film
- Barton Fink: Atmospheric Sounds of the Creative Mind
Sound Practices of the Coen Brothers
- The Work of Hildegard Westerkamp in the Films of Gus Van Sant*
An Interview with the Soundscape Composer (and some added thoughts of my own)
- Free Associating Around Whoever Fights Monsters
Semi-Random Thoughts about Improvisation, Jazz, and/or (a) Film in No Real Particular Order (Then Again, Maybe So)
- Forum 2: Discourses on Diegesis
On the Relevance of Terminology
- Projections: The Development and Politics of Digital Media in Audiovisual Performance
Audiovisual Integration Beyond the Cinema
- Media or Instruments? Yes.
On Hybridization
- Headphones, Epoche, and L’extimité: A Phenomenology of Interiority
On the Audiowalks of Cardiff and Miller
- Forum 3: The State of the Art
Prescriptions for the Present
- Sound in the Cinema and Beyond
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10th Anniversary Special
- 10th Anniversary Survey Responses
Contributors Contribute
- In the Beginning….Part 1
Fiction and Documentary
- In the Beginning….Part 2
Avant-Garde and Experimental
- Peter Greenaway Conference Notes
Cinema Speak
- Genre: Oldboy and the Suspense Thriller
Park Chan-Wook
- 10th Anniversary Survey Responses
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African Cinema
- 20th FESPACO (Festival Panafricain du Cinéma de Ouagadougou)
A Memorable Experience
- Interview with Abderrahmane Sissako
Director of Bamako
- Who’s Talking? Who’s Listening?
Toward a Better System of Communication in Abderrahmane Sissako’s Bamako
- Bamako
Speech, Silence, and Sometimes Death
- Tunde Kelani’s Thunderbolt
African Video for African Audiences
- “African” Cinema: A Comparative Look at Blood Diamond and Ezra
Nigeria vs. Hollywood
- 20th FESPACO (Festival Panafricain du Cinéma de Ouagadougou)
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Issues of Representation
- Pierre Perrault’s Île-aux-Coudres Trilogy
From Whales to Ships
- Hero
Zhang Yimou’s Controversial Epic
- From Yellow Peril to Yellow Fever
The Representation of Asians from Anna May Wong to Lucy Liu
- Chronicle of a Disappearance: The Scared and The Mundane
Palestinian Satire
- Testing for Nature’s Equilibrium and the Experimental Process
Sergei Eisenstein and Frank Lloyd Wright on Organic Unity and the Experimental Process
- Pierre Perrault’s Île-aux-Coudres Trilogy
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Freddie Francis: R.I.P.
- The Creeping Flesh
Containing 'Evil'
- Notes Toward a Masochizing of Cult Cinema
The Painful Pleasures of the Cult Film Fan
- Dead in the Water? Dream and Reality in Carnival of Souls
The Eternal Circle of Life and Death
- Sane Substance: Mark Reid’s book Black Lenses, Black Voices
Cultural Choices, Not Biology, Inform Films
- 13th Bradford International Film Festival, 9-24 March 2007
The Anthropology of Film
- The Creeping Flesh
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Special Focus on Short Films
- Cinema 16
Global Shorts
- Sisyphus and Suburbia: A Contextual Study of David Lynch’s Dumbland
Dadaist Animation
- Small Gauge Trauma
Global Shorts
- Industrie/Industry: Oeuvres récentes / Recent works by Richard Kerr
Hollywood Collage
- Agit-prop Cuban Style
Master Montagist Santiago Álvarez
- Cinema 16
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Spaces and Places
- Letters from the Rest of the World: the book Dreams of a Nation, On Palestinian Cinema
Palestinian Identity, History, and Film
- Filmed Cities: Eden or Purgatory?
From Los Angeles to Athens
- Strange Encounters at the Cinema Corral
Leone Meets Bresson
- Ang Lee’s Cowboys
Fallen from Brokeback’s Paradise Lost
- Eisenstein: ‘Intellectual Montage’, Poststructuralism, and Ideology
Ideas on Montage
- Letters from the Rest of the World: the book Dreams of a Nation, On Palestinian Cinema
