Issue Archive
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Freddie Francis: R.I.P.
- The Creeping Flesh
Containing 'Evil'
- Notes Toward a Masochizing of Cult Cinema
The Painful Pleasures of the Cult Film Fan
- Dead in the Water? Dream and Reality in Carnival of Souls
The Eternal Circle of Life and Death
- Sane Substance: Mark Reid’s book Black Lenses, Black Voices
Cultural Choices, Not Biology, Inform Films
- 13th Bradford International Film Festival, 9-24 March 2007
The Anthropology of Film
- The Creeping Flesh
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Special Focus on Short Films
- Cinema 16
Global Shorts
- Sisyphus and Suburbia: A Contextual Study of David Lynch’s Dumbland
Dadaist Animation
- Small Gauge Trauma
Global Shorts
- Industrie/Industry: Oeuvres récentes / Recent works by Richard Kerr
Hollywood Collage
- Agit-prop Cuban Style
Master Montagist Santiago Álvarez
- Cinema 16
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Spaces and Places
- Letters from the Rest of the World: the book Dreams of a Nation, On Palestinian Cinema
Palestinian Identity, History, and Film
- Filmed Cities: Eden or Purgatory?
From Los Angeles to Athens
- Strange Encounters at the Cinema Corral
Leone Meets Bresson
- Ang Lee’s Cowboys
Fallen from Brokeback’s Paradise Lost
- Eisenstein: ‘Intellectual Montage’, Poststructuralism, and Ideology
Ideas on Montage
- Letters from the Rest of the World: the book Dreams of a Nation, On Palestinian Cinema
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Volume 11, Issue 1
- Vancouver International Film Festival 2006
Dragons and Tigers Programme
- An Interview with Tony Rayns
Treading on East Asian Cinema
- Manufactured Landscapes
The Global Insectarium
- L’Âge des images
The Video Work of Jean Pierre Lefebvre
- Film on the Internet
Cinema on the Electronic Highway
- Vancouver International Film Festival 2006
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Volume 10, Issue 12
- Schrader’s Canon
The Rules of His Game
- Montreal, 2006: the film year in review
From Repertoire to DVD
- The Whole Film Dances: The Criterion Collection edition of Powell and Pressburger’s The Tales of Hoffman
Cinema Does Opera
- Local and Global Identity in European film
The examples of Snatch and Carne Trémula
- Kieslowski and Besson Meet in Le Cercle Rouge
Odd Synchronicities
- Schrader’s Canon
-
Festival Round-Up
- Lights in the Dusk: Beautiful Beasts at FCN 2006
Aestheticizing the Ugly
- Time Spent in Zama
Mirror and Snow: A Diptych on Isolation and Loneliness
- Good Day and Good Night: A Conversation with Filmmaker Julia Loktev
Day Night Day Night
- 20th Leeds International Film Festival
Tradition and Change
- 47th Thessaloniki International Film Festival
Wenders, Salles, Gavras, and more
- Lights in the Dusk: Beautiful Beasts at FCN 2006
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Scanning the Horror Genre
- Documenting the Horror Genre
Going to Pieces: The Rise and Fall of the Slasher Film Meets The Sandman
- Return of the Return of the Repressed: Notes on the American Horror Film (1991-2006)
Scream and Scream Again
- Fantastic Films, Fantastic Bodies: Speculations on the Fantastic and Disability Representation
From Freaks to Scissorhands
- It is Violence that Undoes the Man
Representations of the Modern Male in Alexandre Aja’s The Hills Have Eyes
- Digging Beneath Shallow Ground
An Interview
- Documenting the Horror Genre
-
Fantasia Turns 10
- Fantasia 2006: 10th Year Anniversary
Men That Kill
- Fantasia 2006: A Strange Circus Indeed
Is Style Enough?
- An Interview with Sion Sono
Strange Circus
- 30th Hong Kong International Film Festival, April 4-19, 2006
30 Years and Counting
- The 2006 Tribeca Film Festival
Narrative Features
- Fantasia 2006: 10th Year Anniversary
-
Chinese Cinema
- The 4th Life
A Sapphic Film Noir
- Memoirs from the Beijing Film Academy
International Cinema, and Chen Kaige and Zhang Yimou’s school days
- And Always Searching for Beauty: Balzac and the Little Chinese Seamstress
The Chinese Cultural Revolution
- The White Countess: Merchant and Ivory’s Final Film
Dreamers and Realists
- James Marsh’s The King
Southern Gothic
- The 4th Life
-
Women and Iranian Cinema
- Women of Iranian Popular Cinema: Projection of Progress
Beyond Tradition and Taboo
- Women United: Sentenced to Marriage and Highway Courtesans
Socially Committed Documentary
- Tales of Resilience: the Iranian Journey and The Ladies Room
The Episodic and the Wheel
- A Study of Mohsen Makhmalbaf’s “Time of Love’s” intertextual references to Maulana Jalal al-Din Rumi’s poem “The Three Fish”
Cinema and Poetry
- Woman’s Body as an Anatomy of Hell: Nihilism, Recursion and Tragedy in Breillat’s Anatomy of Hell
Sex as Body Politics
- Women of Iranian Popular Cinema: Projection of Progress
