Issue Archive
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Fantasia 2011
- Fantasia: Turning the Rear View Mirror
Ten Years and Counting at Concordia
- “Unmasking” The Phantom of the Opera
Gala Fantasia 2011
- Robin Hardy: A Chat with the wicker man
Fantasia, July 21, 2011
- 18th Bradford International Film Festival
April 2012
- New Age goes big screen: Jonathan Livingston Seagull
A look back at a watershed New Age moment
- Fantasia: Turning the Rear View Mirror
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The Turin Horse & The European Art Film
- The Turin Horse and the End of Civilization As We Know It
- The Turin Horse: A Numbers Game
Bela Tarr's Final Film
- Melancholia, a speculative film on spirit and space by Lars von Trier
Using the Imagination of Disaster as Justification for Misanthropy
- Inquietude
- Nature and Grace, Image and Thought: Terrence Malick’s The Tree of Life
Consciousness is Enriched by an Original Perception of the Living World
- The Turin Horse and the End of Civilization As We Know It
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The Art of Science Fiction: Kubrick, Tarkovsky, and Spielberg
- 2001: A Space Odyssey Uncovering the intelligence from what may appear to be an unintelligible text
- Connection between Different Realities through Video Screens
Analysis of the “Berton’s Report” film sequence from "Solaris" directed by Andrei Tarkovsky (1972)
- A.I.: Artificial Intelligence (Steven Spielberg, 2001) as Intertextual, Reflexive Monster
- History and Imagination: the book Steven Spielberg’s America by Frederick Wasser
An Entertainer Attempts the Work of an Artist
- Horror in History: The film Schindler’s List by Steven Spielberg
Difficult Facts Survive Sentimental Sensibility
- 2001: A Space Odyssey Uncovering the intelligence from what may appear to be an unintelligible text
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Colin Low Special
- Colin Low, an Anglophone in Quebec
- Colin Low: Canadian Renaissance Artist
- No Texting, No Talking: VIFF 2011
- Teaching the World: World Affairs in Foreign Films: Getting the Global Picture
Seeing History and Society in Osama, Tsotsi, and the Counterfeiters
- Red State
Keven Smith Attacks Church and State
- Colin Low, an Anglophone in Quebec
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Powell & Pressburger (and Art Cinema Horror)
- Fellinian Horror
- Bloodcurdling Holiness in Black Narcissus
- Strangers in Strange Lands: Encountering the Exotic in I Know Where I’m Going! and Black Narcissus
- A Tale for Our Times: The Criterion 2-disc edition of Powell and Pressburger’s A Canterbury Tale
- The Woman in Black (2012) and Hammer has risen from the grave
- Fellinian Horror
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The Italian Filone Part 2
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The Italian Filone
- A Genealogy of Italian Popular Cinema: the Filone
- Virgil and Dante at the Cinecittà: The Influence of Epic Poetry on Italian Popular Cinema
- Turning the Western on its head: Simple subversion in Sergio Corbucci’s The Great Silence (1968)
- Roberto Curti’s Phantom Lovers
The Italian Gothic Explored
- Exquisite Corpses
San Sebastián’s XXII Horror and Fantasy Film Festival: blood, guts…and haute cuisine
- A Genealogy of Italian Popular Cinema: the Filone
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Women, Iran, & the End of Film
- Elegies for the vagrant souls: Reading Reza Allamezadeh’s films of exile
- The Neighbor: Naghmeh Shirkhan’s Choreography of Iranian Women’s Life in Migration
- The Feminist Portrayal of Woman in Iranian Cinema
The Works of Bahram Beyzai and Tahmine Milani
- R.I.P. Film (not “Cinema”), 2011: Montreal, the year in review
- Bye-Bye Celluloid?
Are we Seeing the Dawn of a New Digital Era?
- Elegies for the vagrant souls: Reading Reza Allamezadeh’s films of exile
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Comparative Film Analysis
- Collateral: A Case Study in Ethical Subjectivity
- Atom Egoyan’s Chloe: Filtering Bergman’s Persona
- Eyes Wide Shut: Dream Movie
- The Thin Red Line – Every Man Is A Universe
The moral implications of Schopenhauer’s world as Will and Representation
- Contradictions; or, The Languages of Violence and Peace in the film Five Minutes of Heaven
Exorcising the Troubles of Northern Ireland
- Collateral: A Case Study in Ethical Subjectivity
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From Tarkovsky to Tornatore
- Tarkovsky and the World of Documentary
- There Will Be Blood: A Study in Mise en Scène
- Nuovo Cinema Paradiso
A Reflection of Italian Society
- Cannes 2011: In a Reflexive Mood
Reflexivity is still in use and working well
- Not Beautiful but Brutal, Ugly Facts and Transcendence in Inarritu’s film Biutiful
The death of the body, the survival of the spirit
- Tarkovsky and the World of Documentary
