Issue Archive
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Volume 7, Issue 12
- The 27th World Film Festival: The Cinema of Asia
- San Sebastian 14: Horror and Fantasy Film Festival
From Bava to Takashi
- A Festival Defines Itself: The CIFF Slowly Develops a Personality
The 4th Calgary International Film Festival
- If One Person is Strong, Must the Other Be Weak?
Autumn 2003 Films
- Death Bed: A Lost Cult Classic
- The 27th World Film Festival: The Cinema of Asia
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Focus on the Horror Genre
- Visual Style in M. Night Shyamalan’s “Fantastic” Trilogy : The Long Take
- Visual Style in M. Night Shyamalan’s “Fantastic” Trilogy : Mise en Scène
- The Sixth Sense: Humanizing Horror
Humanist Horror
- Texas Chainsaw Massacre Redux
Texas Chainsaw Does Battle: 1974 vs. 2003
- Sex and Violence: Journey into Extreme Cinema
Extreme Italian Cinema
- Visual Style in M. Night Shyamalan’s “Fantastic” Trilogy : The Long Take
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Volume 7, Issue 10
- Every Day is a New Day: Art, Biography, Criticism, and the Changing Fortunes of Diana Ross
Diana Ross: A Career Overview
- Suicide, Regeneration, and a Tear upon Waking: Fantasia 2003
Cult Cats in FanTasia Space
- Fantasia Part 2. Suicide is for the Birds
Takashi Miike’s Tales of De-territorializing Flight at Fantasia 2003 and Beyond
- The Work of Cinema in the Age of Digital (Re)production
Walter Benjamin Revisited
- Virgil Bliss: Low Budget Character Study (DVD)
Low Budget Character Study
- Every Day is a New Day: Art, Biography, Criticism, and the Changing Fortunes of Diana Ross
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Volume 7, Issue 9
- An Analysis of Found Footage Strategies in Su Friedrich’s The Ties that Bind. Part One: Context
- An Analysis of Found Footage Strategies in Su Friedrich’s The Ties that Bind. Part Two: Analysis
- The Cinematic Legacy of Baron von Munchausen
Celluloid Munchausen
- Debauchery! Dreams of a Rarebit Munchausen
- Fantasia 2003: The Heights of Low Budget
- An Analysis of Found Footage Strategies in Su Friedrich’s The Ties that Bind. Part One: Context
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‘Cine-Physics’
- A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 1
'cine-physics'
- A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 2
- Toward a Synthesis of Cinema -A Theory of the Long Take Moving Camera, Part 1
Bazinian Theory
- Toward a Synthesis of Cinema -A Theory of the Long Take Moving Camera, Part 2
Bazinian Theory
- Hiroshima Mon Amour (DVD Review)
- A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 1
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Focus on André Bazin
- Introduction to André Bazin, Part 1: Theory of Film Style in its Historical Context
André Bazin Revisited
- Introduction to André Bazin, Part 2: Style as a Philosophical Idea
André Bazin Revisited
- Re-reading Bazin’s Ontological Argument
- Bazin and “The River” as a Problem in the History of Film Theory, Part 1
Re-thinking Bazin
- Re-thinking Bazin Through Renoir’s The River, Part 2
- Introduction to André Bazin, Part 1: Theory of Film Style in its Historical Context
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Volume 7, Issue 6
- FanTasia 2003 Preview
- UCLA’s “Heroic Grace: the Chinese Martial Arts Film”
The Shaw Brothers at FanTasia
- 28 Days Later
The fine line between homage and imitation
- Circadian Cinema: A Working Model
Theory Meets Practice
- Straw Dogs: DVD Review
- FanTasia 2003 Preview
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Volume 7, Issue 5
- Teruo Ishii, the outcast
Teruo Ishii at the Udine «Far East Film Festival»
- Koji Wakamatsu’s Ecstasy of Angels
Review of Image-Entertainment DVD
- Koji Wakamatsu’s Go, Go Second Time Virgin
Review of Image-Entertainment DVD
- An interview with director Mikhäil Kobakhidzé.
A Georgian Re-Discovery
- The Cranes are Flying
Review of Criterion DVD
- Teruo Ishii, the outcast
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Volume 7, Issue 4
- The Ending(s) of Cinema: Notes on the Recurrent Demise of the Seventh Art, Part 1
- The Ending(s) of Cinema: Notes on the Recurrent Demise of the Seventh Art, Part 2
- AMIA: The Moving Image Journal
Film preservation journal
- Juan Lopez Moctezuma’s Alucarda
Review of Mondo Macabro's DVD
- Gender, Agency, Memory, and Identity in Like Water for Chocolate
- The Ending(s) of Cinema: Notes on the Recurrent Demise of the Seventh Art, Part 1
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Gus Van Sant’s Gerry
- Gerry, or all Roads Lead to the “Thing”
A groundbreaking moment in commercial American narrative cinema
- Gerry: Gus Van Sant Back in Form
An homage to the Hungarian long take
- The Echopeople: Reflections on the Concept of Echolocation in Gerry: Part 1
- The Echopeople: Reflections on the Concept of Echolocation in Gerry: Part 2
- Korean Cinema in 2002
Korean film at Toronto International Film Festival
- Gerry, or all Roads Lead to the “Thing”
