Issue Archive
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Film Criticism and the Internet
- A Film Prof at the Cineplex: Armond White and Film Criticism in the Age of the Internet
- Film Writing and “Sturgeon’s Law”
- Home Entertainment and Significant Culture: On An Education, Away We Go, Dark Matter, Margot at the Wedding, Michael Clayton, No Country for Old Men, The Secret Life of Bees, A Serious Man, The Stoning of Soraya M., What Doesn’t Kill You, and other films
- The Bourne Analysis
- Green Zone and the Struggle for Truth in Political Filmmaking
- A Film Prof at the Cineplex: Armond White and Film Criticism in the Age of the Internet
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Fantasia 2009
- Fantasia 2009 Report 1
- Fantasia 2009 Report 2
Urban Squalor Meets the ‘Im/Purity’ of Whiteness
- Buddy Giovinazzo Interview
From Staten Island to Berlin
- Coffin Joe Returns to Montreal
An Interview with Jose Mojica Marins
- Resonance of the Soul
The Function of a Sound Motif in The Clone Returns Home
- Fantasia 2009 Report 1
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Michelangelo Antonioni Tribute
- Michelangelo Antonioni and the “Reality” of the Modern
- Realism and Reality in Antonioni’s Profession: Reporter
as dramatizing the Nietzschean notion of the “power of the false”
- Fragile Images and Concrete Things
Indirect Subjectivity and the Externalization of The Soul in Michelangelo Antonioni's Tetralogy
- Femme Antonionienne
- Zabriskie Point (1970, Antonioni): A Scene by Scene Analysis of a Troubled Masterpiece
- Michelangelo Antonioni and the “Reality” of the Modern
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Documentary Special
- Werner Herzog Between Documentary and Fiction
- (Re)covering Oka: Alanis Obomsawin’s Representation of the Crisis at Oka
- It Might Get Loud
Three Generations of Guitar Heroes
- The 12th Buenos Aires Festival Internacional de Cine Independiente (BAFICI)
The 'in-between' film
- Being There: The 2010 Sundance Film Festival
- Werner Herzog Between Documentary and Fiction
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Classic Quebec Cinema
- That Obscure Object of Horror
Francis Mankiewicz’s Les Bons Débarras at Thirty
- Mon Oncle Antoine
A Truly Venerable Classic
- Revanche (2008, Götz Spielman)
A Matter of Stillness
- Vancouver International Film Festival 2009
Four Long Glances
- Pleasure and Its Discontents: Lee Kang-Sheng’s Help Me, Eros
- That Obscure Object of Horror
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Popular Cinemas
- Do genres in the cinema really exist and if so, can they be defined?
- Giallo (2009) vs. Four Flies on Grey Velvet (1971)
A Contrast Across Time
- European Western vs. American Western
- Cinematic Nostalgia and Blue Nights: On Jean Rollin’s Two Orphan Vampires
- Singularities: The 2010 Palm Springs International Film Festival
- Do genres in the cinema really exist and if so, can they be defined?
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Festival du Nouveau Cinema
- Amer: The Three Faces of Ana
- Festival Nouveau Cinéma 2009:
The Long End of the Short
- Amer: The Ruins of the Giallo
An Interview with Hélène Cattet et Bruno Forzani
- The Best of the “Noughties”
- Interview with Liu Jiayin
28th Vancouver International Film Festival
- Amer: The Three Faces of Ana
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World Film Festival (2009)
- World Film Festival 2009
Genre Films Welcome
- In Real Time: An Interview with Jafar Panahi
- Interview with Wang Quan’an
- 50th Thessaloniki International Film Festival
Re-inventing Cinema?
- Le Mépris: Analysis of mise-en-scène
- World Film Festival 2009
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International Festivals
- The Telluride Film Festival
September 4-7, 2009
- 23rd Leeds International Film Festival
November 4-22, 2009
- 100 Years of Hong Kong Cinema?
- Door into Silence
(1991, Lucio Fulci)
- David Lynch’s Blue Velvet
The Use of Binary Oppositions and Space
- The Telluride Film Festival
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David Lynch
