Contributors
Chandrakant Kamble

Dr. Chandrakant Kamble (Ph.D., Symbiosis International, University, Pune, India, 2023) is Assistant Professor at Amity School of Communication, Amity University, Mumbai, India. His research interests include film, culture, and gender studies. He has published papers and book chapters in journals & publications indexed by Sage, Routledge, and Scopus. Additionally, Mr. Kamble is an accomplished short filmmaker, film critic, and columnist. He has reviewed numerous papers for various Scopus indexed journals and served as a keynote speaker and session chair at national conferences. Moreover, he has contributed several articles on cinema and marginalized (Dalit) issues to prominent Indian media outlets.
Articles by
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The Many are One: The Wholeness of Native Americans in Te Ata (Frankowski, 2016)
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The Reclamation of Culture: Smoke Signals and Skins by Chris Eyre
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The Orphan (aka, Friday the 13th: The Orphan) (John Ballard, 1979) & Ghostkeeper (James Makichuck, 1981)
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Orca (Michael Anderson, 1977)
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The Swimmer (Frank Perry, 1968) & The Best Damn Fiddler from Calabogie to Kaladar (Peter Pearson, 1968)
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Fantastic Planet (René Laloux, 1973) & Les Escargots (René Laloux, 1966)
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Western Union (Fritz Lang, 1941)
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Leeds International Film Festival 2021: the conundrum of how to end a film.
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LFF: 2021, A Festival Report
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Play Misty for Me (Clint Eastwood, 1971) Still Shocks and Mesmerizes 50 Years Later