Contributors

Jay Plaat

Jay Plaat received his BA in Cultural Studies and his MA in Creative Industries from Radboud University Nijmegen. His work focuses primarily on cinematic rhythm and autonomous cinematic space. He currently works as a creative copywriter in his native town Uden (the Netherlands), the greenest city of Europe.

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Articles by

Red River (Howard Hawks, 1948)

Published June 29, 2022
Nightbirds (Andy Milligan, 1970)

Published June 28, 2022
Davy Crockett: King of the Wild Frontier (Norman Foster, 1955)

Published June 19, 2022
A Fistful of Dollars (Sergio Leone, 1964)

Published June 19, 2022
Ride Lonesome (Budd Boetticher, 1959)

Published June 5, 2022
Midnight (aka, The Backwoods Massacre) (John Russo, 1982)

Published June 4, 2022
Black Girl (aka, Le Noire de…) (Ousmane Sembène, 1966)

Published June 3, 2022
Representation of The Stolen Generation in Select Australian Feature Films

Published in Volume 26, Issue 5 / May 2022
“We Knew They Would Come for Us”: Danis Goulet’s Night Raiders (2021)

Published in Volume 26, Issue 5 / May 2022
Indian Horse: Hockey Night In (a not so benevolent) Canada

Published in Volume 26, Issue 5 / May 2022

Jay Plaat

Articles by

Red River (Howard Hawks, 1948)

Nightbirds (Andy Milligan, 1970)

Davy Crockett: King of the Wild Frontier (Norman Foster, 1955)

A Fistful of Dollars (Sergio Leone, 1964)

Ride Lonesome (Budd Boetticher, 1959)

Midnight (aka, The Backwoods Massacre) (John Russo, 1982)

Black Girl (aka, Le Noire de…) (Ousmane Sembène, 1966)

Representation of The Stolen Generation in Select Australian Feature Films

“We Knew They Would Come for Us”: Danis Goulet’s Night Raiders (2021)

Indian Horse: Hockey Night In (a not so benevolent) Canada