Offscreen

Eclectic & Serious Film Criticism

Film Reviews

  • Celluloid and Other Intimacies in Geographies of Solitude

    Published in Volume 27, Issue 3-4-5 / May 2023
    Santasil Mallik

  • Perfumed Nightmare (1980), dir. Kiplat Tahimik

    Published in Volume 27, Issue 3-4-5 / May 2023
    Noah Rymer

  • A Modest Meditation on Mexican Modernism: Alonso Ruizpalacios’s Güeros and Alejandro González Iñárritu’s The Revenant

    Published in Volume 27, Issue 1-2 / February 2023
    Daniel Garrett

  • In Search of Complexity: America, India, and Pakistan in Mira Nair’s The Namesake and The Reluctant Fundamentalist

    Published in Volume 27, Issue 1-2 / February 2023
    Daniel Garrett

  • Soul Sisterhood: A Continuous Take on Pasifika Femininity, Heritage, and Community in Vai (2019)

    Published in Volume 26, Issue 12 / December 2022
    M. Sellers Johnson

  • Aftersun (2022): The Blues of Ordinariness

    Published December 1, 2022
    Burak Yilmaz

  • Friendship and Historical Materialism in Raoul Peck’s The Young Karl Marx

    Published in Volume 26, Issue 9-10-11 / November 2022
    Daniel Garrett

  • American Masters and Monsters: Jefferson in Paris and The Golden Bowl, two films of love and power by James Ivory, Ruth Prawer Jhabvala, and Ismail Merchant

    Published in Volume 26, Issue 9-10-11 / November 2022
    Daniel Garrett

  • I think therefore I am? Gaspar Noé‘s Vortex

    Published in Volume 26, Issue 7-8 / August 2022
    Greta Gard

  • What does Men (2022) really tell about men?

    Published in Volume 26, Issue 7-8 / August 2022
    Serdar Küçük

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