Film Reviews

• 

  Andrey Tarkovsky: A Cinema of Prayer (Andrey A. Tarkovsky, 2019)

  Published in Volume 27, Issue 3-4-5 / May 2023
  Donato Totaro

• 

  An essayistic contemplation on humanity and artificial creativity in Opus Cope: An Algorithmic Opera (2021)

  Published in Volume 27, Issue 3-4-5 / May 2023
  Kathy Ou

• 

  Citizenfour: Decrypting State Voyeurism

  Published in Volume 27, Issue 3-4-5 / May 2023
  Isaac Parkinson

• 

  Celluloid and Other Intimacies in Geographies of Solitude

  Published in Volume 27, Issue 3-4-5 / May 2023
  Santasil Mallik

• 

  Perfumed Nightmare (1980), dir. Kiplat Tahimik

  Published in Volume 27, Issue 3-4-5 / May 2023
  Noah Rymer

• 

  A Modest Meditation on Mexican Modernism: Alonso Ruizpalacios’s Güeros and Alejandro González Iñárritu’s The Revenant

  Published in Volume 27, Issue 1-2 / February 2023
  Daniel Garrett

• 

  In Search of Complexity: America, India, and Pakistan in Mira Nair’s The Namesake and The Reluctant Fundamentalist

  Published in Volume 27, Issue 1-2 / February 2023
  Daniel Garrett

• 

  Soul Sisterhood: A Continuous Take on Pasifika Femininity, Heritage, and Community in Vai (2019)

  Published in Volume 26, Issue 12 / December 2022
  M. Sellers Johnson

• 

  Aftersun (2022): The Blues of Ordinariness

  Published December 1, 2022
  Burak Yilmaz

• 

  Friendship and Historical Materialism in Raoul Peck’s The Young Karl Marx

  Published in Volume 26, Issue 9-10-11 / November 2022
  Daniel Garrett