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Where Film Matters

Essays

  • Imagery of a Canadian Babylon: Themes of Religion, Gender and Class in Rude

    Published in Volume 23, Issue 7 / July 2019
    Benedetta Mancusi

  • A City Symphony within a Noir: Romantic and National Ideals in Whispering City

    Published in Volume 23, Issue 7 / July 2019
    Yaelim Nam

  • The transcendence of the soul and the transcendence of flesh: a study in female subjectivity and on abject imagery of putrefaction in Argento’s Suspiria and Phenomena

    Published in Volume 23, Issue 4-5 / April 2019
    Martial Pastor

  • They’re Here’: Supernatural Televisions in the Horror Genre

    Published in Volume 23, Issue 4-5 / April 2019
    Olivia Curry

  • Skinned: From Surgical Horror to Body Horror

    Published in Volume 23, Issue 4-5 / April 2019
    Serena Wercholewski

  • Synthesising the Special Effects of Classical Cinema in Francis Ford Coppola’s Bram Stoker’s Dracula

    Published in Volume 23, Issue 4-5 / April 2019
    Philippe Girard

  • Hurts So Good: Exploring Paraphilic Cinema

    Published in Volume 23, Issue 4-5 / April 2019
    Giulio Evangelista

  • Decline to Fall: Is Hitchcock’s Most Celebrated Film All That It’s Cracked Up to Be?

    Published in Volume 23, Issue 2 / February 2019
    Graham Daseler

  • Filmic Space and Real Time in Rope

    Published in Volume 23, Issue 2 / February 2019
    Peter Dellolio

  • Hitchcock Blonde:  Scarlett Johansson, Scream Queen!

    Published in Volume 23, Issue 2 / February 2019
    Elaine Lennon

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