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Cinema as Pleasure Principle

Essays

  • The transcendence of the soul and the transcendence of flesh: a study in female subjectivity and on abject imagery of putrefaction in Argento’s Suspiria and Phenomena

    Published in Volume 23, Issue 4-5 / April 2019
    Martial Pastor

  • They’re Here’: Supernatural Televisions in the Horror Genre

    Published in Volume 23, Issue 4-5 / April 2019
    Olivia Curry

  • Skinned: From Surgical Horror to Body Horror

    Published in Volume 23, Issue 4-5 / April 2019
    Serena Wercholewski

  • Synthesising the Special Effects of Classical Cinema in Francis Ford Coppola’s Bram Stoker’s Dracula

    Published in Volume 23, Issue 4-5 / April 2019
    Philippe Girard

  • Hurts So Good: Exploring Paraphilic Cinema

    Published in Volume 23, Issue 4-5 / April 2019
    Giulio Evangelista

  • Decline to Fall: Is Hitchcock’s Most Celebrated Film All That It’s Cracked Up to Be?

    Published in Volume 23, Issue 2 / February 2019
    Graham Daseler

  • Filmic Space and Real Time in Rope

    Published in Volume 23, Issue 2 / February 2019
    Peter Dellolio

  • Hitchcock Blonde:  Scarlett Johansson, Scream Queen!

    Published in Volume 23, Issue 2 / February 2019
    Elaine Lennon

  • Blood-Spattered Brides: Female Vampires and Male Anxieties in European Erotic Horror Cinema

    Published in Volume 22, Issue 11 / November 2018
    Joey Shapiro

  • Bad movies, complex feelings: food for thoughts

    Published in Volume 23, Issue 1 / January 2019
    Yi Xige, Maya Ibrahim Kamal, Radina Papukchieva, Léa Le Cudennec

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