Offscreen

Eclectic & Serious Film Criticism

Essays

  • Blood-Spattered Brides: Female Vampires and Male Anxieties in European Erotic Horror Cinema

    Published in Volume 22, Issue 11 / November 2018
    Joey Shapiro

  • Bad movies, complex feelings: food for thoughts

    Published in Volume 23, Issue 1 / January 2019
    Yi Xige, Maya Ibrahim Kamal, Radina Papukchieva, Léa Le Cudennec

  • A Continuation of the History of American Screenwriting 2000-2018, Part III

    Published in Volume 22, Issue 10 / October 2018
    Tom Stempel

  • A Continuation of the History of American Screenwriting 2000-2018, Part II

    Published in Volume 22, Issue 10 / October 2018
    Tom Stempel

  • A Continuation of the History of American Screenwriting 2000-2018, Part I

    Published in Volume 22, Issue 10 / October 2018
    Tom Stempel

  • But Seeing Through Whose Eyes: Call Me By Your Name and the Mechanisms of Love and Fantasy

    Published in Volume 22, Issue 9 / September 2018
    Miles Rufelds

  • Cinema on the Web:  Some Thoughts on George Lucas in Retirement

    Published in Volume 22, Issue 8 / August 2018
    Paul W. Salmon

  • Penetrating the Depths of Teenage Life: Digital Participation and Subversive Sleuthing on Netflix’s American Vandal

    Published in Volume 22, Issue 7 / July 2018
    Jordan Z. Adler

  • Signs and Meaning: Film Studies and the Legacy of Poststructuralism

    Published in Volume 22, Issue 7 / July 2018
    Kyle Barrowman

  • Jean Rouch: The Camera as Theoretical Instrument

    Published in Volume 22, Issue 7 / July 2018
    Frédéric St-Hilaire

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