Offscreen

From Sprocket to Pixel

Essays

  • Killer Queens: The Terrifying World of Disney

    Published in Volume 24, Issue 1 / January 2020
    Colin Arason

  • Spatial Narration and World Building in the Feature Film Adore

    Published in Volume 23, Issue 12 / December 2019
    Shmavon Azatyan

  • Female Empowerment in the “Small World” films of Midsommar (2019, Ari Aster) and The Other Lamb (2019, Malgorzata Szumowska)

    Published in Volume 23, Issue 12 / December 2019
    Donato Totaro

  • Sad Hill Unearthed: Paying Tribute to Sergio Leone

    Published in Volume 23 Issue 9-10 / October 2019
    Donato Totaro

  • Reading Peeping Tom again: Mediated Voyeurism and Fragmented Reality

    Published in Volume 23 Issue 9-10 / October 2019
    Cynthia Boucher

  • Conflicts of the Heart in the Films of Ingmar Bergman

    Published in Volume 23 Issue 9-10 / October 2019
    Prakash Kona

  • Revisiting Accattone (Pier Paolo Pasolini, 1961)

    Published in Volume 23 Issue 9-10 / October 2019
    Antonio D’Alfonso

  • The Representation of Trauma and Memory in The Pawnbroker (Sidney Lumet, 1965)

    Published in Volume 23 Issue 9-10 / October 2019
    Peter Wilshire

  • Imagery of a Canadian Babylon: Themes of Religion, Gender and Class in Rude

    Published in Volume 23, Issue 7 / July 2019
    Benedetta Mancusi

  • A City Symphony within a Noir: Romantic and National Ideals in Whispering City

    Published in Volume 23, Issue 7 / July 2019
    Yaelim Nam

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