Roberto Curti is an Italian film critic and film historian who lives in Cortona, Italy and has written many books on Italian cinema, with a focus on Popular cinemas. He’s a regular contributor to Nocturno and has collaborated, among others, to the Spanish mag Quatermass. In 2003 he co-wrote (with Tommaso La Selva) Sex and Violence, a volume on extreme cinema, which is in its second edition, 2007, and in 2004 a Spanish-published monography on James Coburn, El samurai del oeste (The Samurai of the West). He is also the author of Italia odia (Italy Hates, 2006), an in-depth history of Italian crime and noir films, and Stanley Kubrick: Rapina a mano armata (Stanley Kubrick: The Killing, 2007), an in-depth analysis of Kubrick’s The Killing, Demoni e dei, a book on the devil and god in American horror cinema, and Fantasmi D’Amore, a book on the Italian gothic across cinema, literature and television. Since then he has published many books in English on Italian cinema for McFarland Press, including Italian Crime Filmography 1968-1980 (2013); Diabolika: Supercriminals, Superheroes and the Comic Book Universe in Italian Cinema (2016), Tonino Valeri: The Films (2016), Mavericks of Italian Cinema: Eight Unorthodox Filmmakers, 1940s-2000s (2018); Riccardo Freda: The Life and Works of a Born Filmmaker (2017), and a trilogy of volumes on Italian Gothic Horror Films (1957-1969; 1970-1979; 1980-1989) in 2015, 2017, 2019 respectively. He has also written the monograph on Blood and Black Lace in the Devil’s Advocates series for Auteur Publishing (2019).