Contributors
Daniel Garrett
Daniel Garrett, a child of the American south, Louisiana, where he grew up reading, taking photographs, and enjoying fishing and a good summer barbecue. Daniel moved to New York and became a graduate of the New School for Social Research, was an intern at Africa Report, poetry editor for the male feminist magazine Changing Men, founded and acted as principal organizer of the Cultural Politics Discussion Group at ABC No Rio and Poets House, wrote about painter Henry Tanner for Art & Antiques, and organized the first interdepartmental environmental justice meeting at Audubon. Long interested in human complexity, intelligence, experiment, and cultural diversity, Garrett has researched various cultures, and he wrote about fiction and poetry for World Literature Today and international film for Offscreen, and has done music reviews that constitute a history of popular music for The Compulsive Reader. His work has appeared as well in The African, All About Jazz, American Book Review, Black Film Review, Cinetext, Contact II, Film International, The Humanist, Hyphen, Illuminations, Muse Apprentice Guild, Option, Pop Matters, Quarterly Black Review of Books, Rain Taxi, Red River Review, Review of Contemporary Fiction, and Wax Poetics. He returned to the south, where he worked on philosophical fiction, the novel A Stranger on Earth.
Articles by Daniel Garrett
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Pier Paolo Pasolini’s Notes for an African Orestes
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Once More, with Feeling: Denzel Washington’s film The Great Debaters and Robert Rosenstone’s book History on Film/Film on History
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Liberations of Mind, Spirit, and Vision: The Fall by Tarsem Singh
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Honor, Humanism, Humor: Notes on Jean Renoir’s film The Rules of the Game and the book Jean Renoir: Interviews
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On Character, Family, Nature and Love: The Grocer’s Son, by Eric Guirado
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The Goddess, French Cinema: Catherine Deneuve’s film diaries, Close Up and Personal
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Turkish Films: The Prisoners, Love and Honor, Bliss and Dry Summer
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Strangers and Friends, Immigration and Power, in the film The Visitor
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Casual Masculinity, Significant Responsibility: The Big Lebowski
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Sane Substance: Mark Reid’s book Black Lenses, Black Voices