Contributors
Daniel Garrett
Daniel Garrett, a child of the American south, Louisiana, where he grew up reading, taking photographs, and enjoying fishing and a good summer barbecue. Daniel moved to New York and became a graduate of the New School for Social Research, was an intern at Africa Report, poetry editor for the male feminist magazine Changing Men, founded and acted as principal organizer of the Cultural Politics Discussion Group at ABC No Rio and Poets House, wrote about painter Henry Tanner for Art & Antiques, and organized the first interdepartmental environmental justice meeting at Audubon. Long interested in human complexity, intelligence, experiment, and cultural diversity, Garrett has researched various cultures, and he wrote about fiction and poetry for World Literature Today and international film for Offscreen, and has done music reviews that constitute a history of popular music for The Compulsive Reader. His work has appeared as well in The African, All About Jazz, American Book Review, Black Film Review, Cinetext, Contact II, Film International, The Humanist, Hyphen, Illuminations, Muse Apprentice Guild, Option, Pop Matters, Quarterly Black Review of Books, Rain Taxi, Red River Review, Review of Contemporary Fiction, and Wax Poetics. He returned to the south, where he worked on philosophical fiction, the novel A Stranger on Earth.
Articles by Daniel Garrett
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Dreaming Wide Awake: Sally Potter’s Yes, and In My Country, The Interpreter, War of the Worlds, Kings and Queen, Heights, Saving Face, Off the Map, and The Upside of Anger, with Ingmar Bergman’s Saraband
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Wild Strawberries: A Brief Note about Ingmar Bergman and Pauline Kael
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Thoughts of a Dry Brain in a Dry Season: Woody Allen’s Melinda & Melinda (and Crash, Mysterious Skin, and Eros, featuring Antonioni and Wong Kar-Wai)
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Imitating One’s Enemies: Eytan Fox’s Walk on Water
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Human Conflict, or the legacies of superfluous men: Hotel Rwanda, The Merchant of Venice, Bad Education, The Woodsman, and Notre Musique
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David Owen Russell’s I ♥ Huckabees
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Rodney Evans’s Brother to Brother; or, “James Baldwin is Dead”
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What I Remember of the Films I’ve Seen : Hero, We Don’t Live Here Anymore, Vanity Fair, Sky Captain and the World of Tomorrow, Motorcycle Diaries, Kilometer Zero, Stage Beauty, Kinsey, Alexander, and more
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“Woman, Thou Art Loosed” and “Moolaade”
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The Saddest Music in the World