Offscreen

From Sprocket to Pixel

Essays

  • Gendering In the Mood for Love (2000, Wong Kar-Wai, Hong Kong)

    Published in Volume 25, Issue 2-3 / March 2021
    Donato Totaro

  • The Evolution of Mediated Youth Culture: OTT as “New Television” in India

    Published in Volume 25, Issue 2-3 / March 2021
    Kajal Parmar, Manisha Pandit

  • The Surprisingly Conservative Gender Politics of Parasite

    Published in Volume 25, Issue 2-3 / March 2021
    Tim Brinkhof

  • The Tragic Life and Career of Ruan Lingyu

    Published in Volume 25, Issue 2-3 / March 2021
    Patrick Galvan

  • The Courage of Compassion – Akira Kurosawa’s Red Beard

    Published in Volume 24, Issue 11-12 / December 2020
    Karthick Ram Manoharan

  • Hatchet for the Honeymoon :  Optic Zooms and the Haptic Hatchet

    Published in Volume 24, Issue 11-12 / December 2020
    George Lellis

  • Tales of Mystery and Just Plain Imagination: The literary sources of Mario Bava’s cinema

    Published in Volume 24, Issue 11-12 / December 2020
    Roberto Curti

  • One, No One and One Hundred Thousand The “Man Without a Face” in 6 donne per l’assassino and its many incarnations

    Published in Volume 24, Issue 11-12 / December 2020
    Roberto Curti

  • “La donna è mobile…” Mario Bava and the Eternal Feminine

    Published in Volume 24, Issue 11-12 / December 2020
    Roberto Curti

  • Forty years without Bava: myths and discoveries by Alberto Pezzotta

    Published in Volume 24, Issue 11-12 / December 2020
    Alberto Pezzotta

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