Offscreen

Eclectic & Serious Film Criticism

Essays

  • Streaming Wars

    Published in Volume 25, Issue 6 / June 2021
    Donato Totaro

  • Starship Troopers (Paul Verhoeven, 1997): A Different Kind of Bug Movie

    Published in Volume 25, Issue 5 / May 2021
    David George Menard

  • Shudder’s Joe Bob Briggs’ Last Drive-In: Sledgehammer and Things

    Published in Volume 25, Issue 5 / May 2021
    Donato Totaro

  • Laugh, Scream and Meow!?: The Voices of Cult Cinema Audiences

    Published in Volume 25, Issue 5 / May 2021
    Justin H. Langlois

  • Dual Plots, Demon Possession, De Palma: Ruby as Interesting Failure

    Published in Volume 25, Issue 5 / May 2021
    Katharine Coldiron

  • The Place-Museum and the Problem of Culture in Russian Ark

    Published in Volume 25, Issue 4 / April 2021
    Anton M. Kolev

  • Meditation on Modernity:  Tesla and The Current War, The Young Karl Marx, and A Dangerous Method; and Questions for Fordham University Press Director Fredric Nachbaur

    Published in Volume 25, Issue 4 / April 2021
    Daniel Garrett

  • About Endlessness (Roy Andersson, 2019, Sweden): A Priest, Baby Carriages and a Flying Couple

    Published in Volume 25, Issue 4 / April 2021
    Donato Totaro

  • The contemporary cinemas of the resistant form

    Published in Volume 25, Issue 4 / April 2021
    Daniel Skipper Rasmussen

  • Wong Kar-wai’s In the Mood for Love (2000): Postmodern Melodrama

    Published in Volume 25, Issue 2-3 / March 2021
    David George Menard

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