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Jay Plaat

Jay Plaat

Jay Plaat received his BA in Cultural Studies and his MA in Creative Industries from Radboud University Nijmegen. His work focuses primarily on cinematic rhythm and autonomous cinematic space. He currently works as a creative copywriter in his native town Uden (the Netherlands), the greenest city of Europe.

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Articles by

  • Mrs. Dalloway and The Hours: The Slippery Divide Between Fiction and Reality

    Published in Volume 26, Issue 9-10-11 / November 2022

  • 36th Leeds International Film Festival 3-17 November 2022

    Published in Volume 26, Issue 9-10-11 / November 2022

  • Benjamin Halligan, Hotbeds of Licentiousness: The British Glamour Film and the Permissive Society

    Published in Volume 26, Issue 9-10-11 / November 2022

  • The London Film Festival, 2022

    Published in Volume 26, Issue 9-10-11 / November 2022

  • Berlinale 2022: The Great Restart

    Published in Volume 26, Issue 9-10-11 / November 2022

  • To the Bitter End: Looking Back at Mikio Naruse’s Doomed Romances

    Published in Volume 26, Issue 9-10-11 / November 2022

  • Children of Men: A Witness to Absurdity

    Published in Volume 26, Issue 9-10-11 / November 2022

  • Time and Its Other

    Published in Volume 26, Issue 9-10-11 / November 2022

  • 1917: The ‘Hard Work’ of the Digital Long Take

    Published in Volume 26, Issue 9-10-11 / November 2022

  • Sōmai Shinji, the Forgotten Master of Long Take and Coming-of-Age Cinema

    Published in Volume 26, Issue 9-10-11 / November 2022

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