Contributors

Elaine Lennon

Elaine Lennon is a film historian and the author of ChinaTowne and Pathways of Desire: Emotional Architecture in the Films of Nancy Meyers. Elaine Lennon obtained a PhD in Film Studies at the School of Media, Dublin Institute of Technology where she lectured in film and screenwriting for a decade.

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Articles by Elaine Lennon

The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girl

Published in Volume 27, Issue 1-2 / February 2023
The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part One, The Gothic Girls of Hollywood

Published in Volume 27, Issue 1-2 / February 2023
Nothing Is Wrong: Notes on Costume in Klute (1971)

Published in Volume 24 Issue 5-6-7 / July 2020
The Call of the Heart: John M. Stahl and Hollywood Melodrama

Published in Volume 24, Issue 1 / January 2020
ReFocus: The Films of Budd Boetticher

Published in Volume 24, Issue 1 / January 2020
Hitchcock Blonde: Scarlett Johansson, Scream Queen!

Published in Volume 23, Issue 2 / February 2019
Transcultural Screenwriting. Telling Stories for a Global World

Published in Volume 22, Issue 10 / October 2018
When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry

Published in Volume 22, Issue 10 / October 2018
Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome

Published in Volume 21, Issue 8 / August 2017
Sofia Coppola: A Cinema of Girlhood

Published in Volume 21, Issue 6 / June 2017

Elaine Lennon

Articles by Elaine Lennon

The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part Two, Gone Girl

The Girl Who Knew Too Much: Shadow of a Doubt (1943) Part One, The Gothic Girls of Hollywood

Nothing Is Wrong: Notes on Costume in Klute (1971)

The Call of the Heart: John M. Stahl and Hollywood Melodrama

ReFocus: The Films of Budd Boetticher

Hitchcock Blonde: Scarlett Johansson, Scream Queen!

Transcultural Screenwriting. Telling Stories for a Global World

When Women Wrote Hollywood: Essays on Female Screenwriters in the Early Film Industry

Dolce Vita Confidential: Fellini, Loren, Pucci, Paparazzi, and the Swinging High Life of 1950s Rome

Sofia Coppola: A Cinema of Girlhood