Contributors
Chandrakant Kamble

Dr. Chandrakant Kamble (Ph.D., Symbiosis International, University, Pune, India, 2023) is Assistant Professor at Amity School of Communication, Amity University, Mumbai, India. His research interests include film, culture, and gender studies. He has published papers and book chapters in journals & publications indexed by Sage, Routledge, and Scopus. Additionally, Mr. Kamble is an accomplished short filmmaker, film critic, and columnist. He has reviewed numerous papers for various Scopus indexed journals and served as a keynote speaker and session chair at national conferences. Moreover, he has contributed several articles on cinema and marginalized (Dalit) issues to prominent Indian media outlets.
Articles by
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In the Bright Shadow of Gandhi’s Hope: Tragic Choices in Deepa Mehta’s Water and Gurinder Chadha’s Viceroy’s House
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Land in Outback Noir Films: Trope of Spatial Alienation of Aboriginal People in Ivan Sen’s Mystery Road (2013) and Goldstone (2016)
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Exterminate all the Brutes (Raoul Peck, 2021) & Speakers for the Dead (David Sutherland & Jennifer Holness, 2000)
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Soul Sisterhood: A Continuous Take on Pasifika Femininity, Heritage, and Community in Vai (2019)
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A Synchronous Brew of Spice, Song, and Memory: Unpacking the Transgressive Layers of Ritesh Batra’s The Lunchbox
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Aftersun (2022): The Blues of Ordinariness
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Caro Diaro and Other Films
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Eerie Totality in Bertrand Bonello’s Nocturama
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Friendship and Historical Materialism in Raoul Peck’s The Young Karl Marx
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Hollywood & Human Progress: Imagining a Better Future