Offscreen

Where Film Matters

Essays

  • Action Aesthetics: Realism and Martial Arts Cinema, Part 2

    Published in Volume 18, Issue 10 / October 2014
    Kyle Barrowman

  • Certified Copy, or “Mirroring Life, Mirroring Art”

    Published in Volume 18, Issue 9 / September 2014
    Donato Totaro

  • Dariush Mehrjui: A Partial Annotated Filmography

    Published in Volume 18, Issue 9 / September 2014
    Najmeh Khalili Mahani

  • Human Sonata; a short glimpse into life and times of Dariush Mehrjui

    Published in Volume 18, Issue 9 / September 2014
    Najmeh Khalili Mahani

  • The Crime That Has To Be Tried On The Street

    Published in Volume 18, Issue 9 / September 2014
    Ramin S. Khanjani

  • Pictura Poesis: The interplay of poetry, image and ethnography in Forough Farrokhzad’s The House is Black

    Published in Volume 18, Issue 9 / September 2014
    Roxanne Varzi

  • ‘Mad Women’ in Robert Altman’s 3 Women and Images

    Published in Volume 18, Issue 8 / August 2014
    Molly Langill

  • Horrifying Whiteness: Slasher Conduct, Masculinity, and the Cultural Politics of Halloween

    Published in Volume 18, Issue 8 / August 2014
    Tiffany Bryant

  • When Women Kill: Recent North American Horror Films

    Published in Volume 18, Issue 8 / August 2014
    Donato Totaro

  • Twisting Conventions: A Feminist Indigenous Perspective on the Horror Genre

    Published in Volume 18, Issue 8 / August 2014
    Vanessa Dion Fletcher

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