Essays

Not the Long Goodbye: Some Thoughts on the Role of the Web in the Survival of Celluloid

Published in Volume 19, Issue 5 / May 2015
Paul W. Salmon
A Portrait of an Artist as a Handsome, Smart, Tough Black Dude: Laurence Fishburne in School Daze, Bad Company, Othello, The Matrix, Armored and other films

Published in Volume 19, Issue 1 / January 2015
Daniel Garrett
The Pleasure of Walter White’s Grotesque Odyssey: Complex Narrative Escalation in AMC’s Breaking Bad (2008-2013)

Published in Volume 19, Issue 5 / May 2015
Brandon Taylor
Reflexive Hybrid Realism in Da Vinci’s Inquest, Part II: “Pretend You Didn’t See Me”

Published in Volume 18, Issues 11-12 / December 2014
Rachel Walls
Mediating Collaborations: Arla Saare, the CBUT Film Unit, and the Emergence of the West Coast School

Published in Volume 18, Issues 11-12 / December 2014
Tim Newman
Marlon Brando as Thinker and Actor in Julius Caesar, The Young Lions, One-Eyed Jacks, Last Tango in Paris, and A Dry White Season

Published in Volume 19, Issue 1 / January 2015
Daniel Garrett
When the Final Girl is Not a Girl: Reconsidering the Gender Binary in the Slasher Film

Published in Volume 19, Issue 1 / January 2015
Jeremy Maron
Shirley Knight and the Performance of Gendered Race in Dutchman

Published in Volume 19, Issue 1 / January 2015
Lindsey Campbell
Contextualizing Questions of Identity and Space in Mina Shum’s Double Happiness

Published in Volume 18, Issues 11-12 / December 2014
David Hanley
Action Aesthetics: Realism and Martial Arts Cinema, Part 1

Published in Volume 18, Issue 10 / October 2014
Kyle Barrowman