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Where Film Matters

Tag: Italian Cinema

  • Hatchet for the Honeymoon :  Optic Zooms and the Haptic Hatchet

    Published in Volume 24, Issue 11-12 / December 2020
    George Lellis

  • Tales of Mystery and Just Plain Imagination: The literary sources of Mario Bava’s cinema

    Published in Volume 24, Issue 11-12 / December 2020
    Roberto Curti

  • One, No One and One Hundred Thousand The “Man Without a Face” in 6 donne per l’assassino and its many incarnations

    Published in Volume 24, Issue 11-12 / December 2020
    Roberto Curti

  • “La donna è mobile…” Mario Bava and the Eternal Feminine

    Published in Volume 24, Issue 11-12 / December 2020
    Roberto Curti

  • Roberto Curti & Blood and Black Lace (Sei donne per l’assassino (1964, Mario Bava)

    Published in Volume 24, Issue 11-12 / December 2020
    Donato Totaro

  • A Private Fear of the Unknown: Planet of the Vampires (Mario Bava, 1965)

    Published in Volume 24, Issue 11-12 / December 2020
    Simon Laperrière

  • L’Inferno (Francesco Bertolini/Adolfo Padovan/Giuseppe De Liguoro, 1911) & The Devil’s Cabaret (Nick Grindé, 1930), followed by The Black Cat (Edgar G. Ulmer, 1934)

    Published February 23, 2020
    Douglas Buck

  • Robowar (Bruno Mattei,1988)

    Published December 28, 2019
    Douglas Buck

  • Let the Corpses Tan (Hélène Cattet and Bruno Forzani, 2017)

    Published December 1, 2019
    Douglas Buck

  • Shocking Dark (aka, Terminator II, Terminator 2, Aliens 2, Aliennators and, last but not least, Contaminator) (Bruno Mattei, 1989)

    Published November 24, 2019
    Douglas Buck

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