Tag: Carl Dreyer
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Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud
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Ordet (aka, The Word) (Carl Theodor Dreyer, 1955)
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Are Women Magic? Ray Carney’s Speaking the Language of Desire
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Death, time and the possibilities of renewal in Carlos Reygadas’ Silent Light and Carl T. Dreyer’s Ordet