Tag: Black Cinema

Sensitive, Subversive Friendships: The Last Black Man in San Francisco, Blindspotting and Sorry to Bother You

Published in Volume 28, Issue 2-4 / April 2024
Daniel Garrett
American Fiction (Cord Jefferson, 2023, based on the novel Erasure by Percival Everett)

Published in Volume 28, Issue 2-4 / April 2024
Donato Totaro
Fighting the Dangerous Foolishness of Miss Anne and Mister Charlie: Battling Bigotry in The Mauritanian, Vice, and The Great Muslim American Road Trip

Published in Volume 28, Issue 2-4 / April 2024
Daniel Garrett
Transgressing the Frame: Onscreen Art Between Form and Formlessness

Published in Volume 26, Issue 1-2 / February 2022
Emmalea Russo
Humanity’s Children: Charles Dickens, James Baldwin, Boyhood, and Moonlight

Published in Volume 25, Issue 9-10 / October 2021
Daniel Garrett
Love and Resistance in the Work of Barry Jenkins

Published in Volume 25, Issue 9-10 / October 2021
George Kowalik
A Meditation on Haptic Visuality in Bill Gunn’s Avant-Garde Horror, Ganja & Hess

Published in Volume 25, Issue 9-10 / October 2021
Donato Totaro
The Uniqueness of Bill Gunn’s Ganja & Hess

Published in Volume 25, Issue 9-10 / October 2021
Donato Totaro
Writer and filmmaker Kathleen Collins (Losing Ground): An Appreciation

Published in Volume 25, Issue 9-10 / October 2021
Daniel Garrett
Queen and Slim and Deconstructive Protest Cinema

Published in Volume 25, Issue 9-10 / October 2021
George Kowalik