A Meditation on Haptic Visuality in Bill Gunn’s Avant-Garde Horror, Ganja & Hess
An explorative audio visual on the overlooked 1972 masterpiece Ganja & Hess, which is a companion piece to Totaro’s essay on the same film in this issue.
Donato Totaro has been the editor of the online film journal Offscreen since its inception in 1997. Totaro received his PhD in Film & Television from the University of Warwick (UK), is a part-time professor in Film Studies at Concordia University (Montreal, Canada) and a longstanding member of AQCC (Association québécoise des critiques de cinéma).
