Offscreen

Cinema as Pleasure Principle

Essays

  • The Aesthetics of the Long Take in Theo Angelopoulos’s The Travelling Players

    Published in Volume 20, Issue 2 / February 2016
    Elie Castiel

  • Theo Angelopoulos: On the Road between Story and History

    Published in Volume 20, Issue 2 / February 2016
    Olivier Bélanger

  • Historical Argument, Involuntary Memory, and the Subversion of Balkanist Discourse within Theo Angelopoulos’ Ulysses’ Gaze

    Published in Volume 20, Issue 2 / February 2016
    Alain Chouinard

  • The Suspended Step of the Stork: Theo Angelopoulos among the Greats

    Published in Volume 20, Issue 2 / February 2016
    Donato Totaro

  • The Cosmopolitan Perspective, the Rebellious Impulse: The Activist, Belle, Dear White People, Omar, Selma and Proposals for the Future (Part 2)

    Published in Volume 20, Issue 1 / January 2016
    Daniel Garrett

  • The Cosmopolitan Perspective, the Rebellious Impulse: The Matrix trilogy and Snowpiercer ( Part 1)

    Published in Volume 20, Issue 1 / January 2016
    Daniel Garrett

  • Decoding The Secret in Their Eyes: Domestic and Transnational Meanings

    Published in Volume 20, Issue 1 / January 2016
    David Hanley

  • Koji Wakamatsu: Sex is Politics 24 Times a Second

    Published in Volume 20, Issue 1 / January 2016
    Frédéric St-Hilaire

  • The Tragic Hero as Drifter in Yoji Yamada’s Films

    Published in Volume 19, Issue 8 / August 2015
    Hiranmoy Lahiri

  • Anxiety in a Technological World: Tetsuo: the Iron Man

    Published in Volume 19, Issue 8 / August 2015
    Robert Fuoco

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