Offscreen

Cinema as Pleasure Principle

Essays

  • Alfred Hitchcock & Grace Kelly

    Published in Volume 21, Issue 4-5 / May 2017
    Elaine Lennon

  • The Role of Women in Early Film Culture: Nell Shipman and Back To God’s Country (David Hartford, 1919)

    Published in Volume 21, Issue 4-5 / May 2017
    David George Menard

  • The Road, Red and White (and Blue):  Canadian Identity in Bruce McDonald’s Road Trilogy

    Published in Volume 21, Issue 4-5 / May 2017
    Justin H. Langlois

  • Bruce McDonald and Don McKellar’s Deconstruction of Canadian Realism: Roadkill and Highway 61

    Published in Volume 21, Issue 4-5 / May 2017
    David Hanley

  • “Frankophobia: On the Fear of Adulthood in Blue Velvet and Frank

    Published in Volume 22, Issue 1 / January 2018
    Mike LeSuer

  • “They Affect Dogs as Well”- Crime and British Video Censorship in the Early 1980s

    Published in Volume 20, Issue 12 / December 2016
    Robert Fuoco

  • The Trouble With Harry:  The Third Man (1949), Part 1

    Published in Volume 20, Issue 12 / December 2016
    Elaine Lennon

  • The Trouble With Harry:  The Third Man (1949), Part 2

    Published in Volume 20, Issue 12 / December 2016
    Elaine Lennon

  • Charm, Courage, and Eruptions of Vulgar Force: Wes Anderson’s The Grand Budapest Hotel

    Published in Volume 20, Issue 11 / November 2016
    Daniel Garrett

  • Sounding Transnational Flows: Schizophonic Reflexivity in Takashi Miike’s The Bird People in China

    Published in Volume 21, Issue 3 / March 2017
    Randolph Jordan

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