Contributors

Ramin S. Khanjani

Referring to himself as a cine-aficionado, Ramin S. Khanjani obtained his Master’s degree in Film Studies from Carleton University, Ottawa. His writings and reports have previously appeared in the Iranian publications, Film Monthly and Film International. He is the author of Animating Eroded Landscape:The Cinema of Ali Hatami (2014).

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Articles by Ramin S. Khanjani

Musical Peace-Pact: Sound and Music in Heinosuke Gosho’s The Neighbour’s Wife and Mine (1931)

Published in Volume 19, Issue 8 / August 2015
The Crime That Has To Be Tried On The Street

Published in Volume 18, Issue 9 / September 2014
Fact, fiction and eccentricity in Parviz Kimiavi’s images from “the garden of stones”

Published in Volume 19, Issue 6 / June 2015
Chronos Pulls the Strings: Roaming thoughts On Koji Yamamura’s Muybridge’s Strings (2011)

Published in Volume 18, issue 3 / March 2014
Elegies for the vagrant souls: Reading Reza Allamezadeh’s films of exile

Published in Volume 15, Issue 10 / October 2011

Ramin S. Khanjani

Articles by Ramin S. Khanjani

Musical Peace-Pact: Sound and Music in Heinosuke Gosho’s The Neighbour’s Wife and Mine (1931)

The Crime That Has To Be Tried On The Street

Fact, fiction and eccentricity in Parviz Kimiavi’s images from “the garden of stones”

Chronos Pulls the Strings: Roaming thoughts On Koji Yamamura’s Muybridge’s Strings (2011)

Elegies for the vagrant souls: Reading Reza Allamezadeh’s films of exile