Contributors
Michael Sooriyakumaran
Michael Sooriyakumaran is a Ph.D. student in Cinema Studies at the University of Toronto. For his dissertation, he will be reconsidering the Brechtian modernist cinema of the 1960s and 1970s as a transnational group style, focusing particularly on the films of Danièle Huillet & Jean-Marie Straub and Oshima Nagisa. His writing has appeared in Frames Cinema Journal.
Articles by Michael Sooriyakumaran
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TIFF 2018: Body of Evidence
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Pas sur la bouche: How Siodmak’s Spiral Staircase Was Built
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TIFF 2017: Beyond the Unpleasure Principle
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TIFF 2016: The Backup Plan
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Are Women Magic? Ray Carney’s Speaking the Language of Desire
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The Man Who Loved Children: László Nemes’ Son of Saul
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TIFF 2015: Some Tentative First Impressions
