Contributors

Michael Sooriyakumaran

Michael Sooriyakumaran is a Ph.D. candidate in Cinema Studies at the University of Toronto. His writing has appeared in Asian Cinema, Bright Lights Film Journal, Frames Cinema Journal, and Mise-en-scène: The Journal of Visual Narration.

Articles by Michael Sooriyakumaran

Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud

Published in Volume 27, Issue 1-2 / February 2023
Style de malade: The 44th Toronto International Film Festival

Published in Volume 23, Issue 11 / November 2019
TIFF 2018: Body of Evidence

Published in Volume 23, Issue 3 / March 2019
Pas sur la bouche: How Siodmak’s Spiral Staircase Was Built

Published in Volume 22, Issue 2 / February 2018
TIFF 2017: Beyond the Unpleasure Principle

Published in Volume 21, Issue 9 / September 2017
TIFF 2016: The Backup Plan

Published in Volume 21, Issue 1 / January 2017
Are Women Magic? Ray Carney’s Speaking the Language of Desire

Published in Volume 20, Issue 7 / July 2016
The Man Who Loved Children: László Nemes’ Son of Saul

Published in Volume 19, Issue 12 / December 2015
TIFF 2015: Some Tentative First Impressions

Published in Volume 19, Issue 10 / October 2015

Michael Sooriyakumaran

Articles by Michael Sooriyakumaran

Unmaking Meaning: Motivation and Materiality in Danièle Huillet and Jean-Marie Straub’s Too Early/Too Late and Carl Theodor Dreyer’s Gertrud

Style de malade: The 44th Toronto International Film Festival

TIFF 2018: Body of Evidence

Pas sur la bouche: How Siodmak’s Spiral Staircase Was Built

TIFF 2017: Beyond the Unpleasure Principle

TIFF 2016: The Backup Plan

Are Women Magic? Ray Carney’s Speaking the Language of Desire

The Man Who Loved Children: László Nemes’ Son of Saul

TIFF 2015: Some Tentative First Impressions