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Jay Plaat

Jay Plaat

Jay Plaat received his BA in Cultural Studies and his MA in Creative Industries from Radboud University Nijmegen. His work focuses primarily on cinematic rhythm and autonomous cinematic space. He currently works as a creative copywriter in his native town Uden (the Netherlands), the greenest city of Europe.

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Articles by

  • A Patriarchal Mousetrap: Analysing Gender in Anuraj Manohar’s Ishq

    Published in Volume 28, Issue 5 / May 2024

  • Laura Poitras and the Gendering of Post-9/11 Surveillance

    Published in Volume 28, Issue 2-4 / April 2024

  • Sensitive, Subversive Friendships: The Last Black Man in San Francisco, Blindspotting and Sorry to Bother You

    Published in Volume 28, Issue 2-4 / April 2024

  • The Aesthetics and Politics of Gender in Athina Rachel Tsangari’s The Capsule

    Published in Volume 28, Issue 2-4 / April 2024

  • Barbie Contra Finitude

    Published in Volume 28, Issue 2-4 / April 2024

  • The Zone of Interest (Jonathan Glazer, 2023)

    Published in Volume 28, Issue 2-4 / April 2024

  • Leeds International Film Festival 2023

    Published in Volume 28, Issue 2-4 / April 2024

  • An Obsession with Obsession: Nordic Cinema, 2019-2022

    Published in Volume 28, Issue 2-4 / April 2024

  • Forty Years of Snow and Cinema: Independent Selects from Sundance 2024

    Published in Volume 28, Issue 2-4 / April 2024

  • American Fiction (Cord Jefferson, 2023, based on the novel Erasure by Percival Everett)

    Published in Volume 28, Issue 2-4 / April 2024

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