Contributors
Jay Plaat
Jay Plaat received his BA in Cultural Studies and his MA in Creative Industries from Radboud University Nijmegen. His work focuses primarily on cinematic rhythm and autonomous cinematic space. He currently works as a creative copywriter in his native town Uden (the Netherlands), the greenest city of Europe.
Articles by
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Metropolis or: the insidious nature of Fascism
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“It belongs to you and your fellow passengers alone”: on Shivers (1975), Nuns’ Island, Mies van der Rohe, and Montreal’s haunted utopian urbanism
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Hitch on Hitch, or a parade of cameos
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Zones: Post-industrial aesthetics and environments after Stalker
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Andrey Tarkovsky: A Cinema of Prayer (Andrey A. Tarkovsky, 2019)
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An essayistic contemplation on humanity and artificial creativity in Opus Cope: An Algorithmic Opera (2021)
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Citizenfour: Decrypting State Voyeurism
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Celluloid and Other Intimacies in Geographies of Solitude
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Perfumed Nightmare (1980), dir. Kiplat Tahimik
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The Big Goodbye: Chinatown and the Last Years of Hollywood