Contributors
Colin Burnett
Colin Burnett, who holds an MA in Film Studies from Concordia University, is a PhD candidate at the University of Wisconsin-Madison. His current areas of research include Robert Bresson’s cinematographers, laboratory practice in American cinema of the 20s, and minimalist film style. He has published in Senses of Cinema, Synoptique, and Canadian Journal of Film Studies and has writings in forthcoming editions of Film Quarterly and Studies in French Cinema. Along with Dudley Andrew, he is also editing a special edition of Post Script devoted to the film and photography writing of Susan Sontag.
Articles by Colin Burnett
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An Eye for the Exemplary
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Inside Bresson’s L’Argent
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Review of Jane Sloan’s Robert Bresson: A Guide to Sources and References
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Journal d’un curé de campagne: DVD Review
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A Case Study of Le Diable Probablement
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Le Diable as a Reflection on Film’s ‘incommunicability’
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Robert Bresson as a Precursor to the Nouvelle Vague: A Brief Historical Sketch
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Les Dames du Bois de Boulogne: DVD Review