Carole Zucker is internationally known for her work on performance studies, and has lectured and published in Europe, the U.S. and Canada on this subject. Her areas of research interest also include the horror and fantasy genre; contemporary film theory; narrative theory; New German cinema; Japanese Cinema; aesthetics; Irish Studies; concepts of excess; adaptation, and film script analysis. She also teaches private acting workshops in Canada, the US and the UK. Her research has been supported on numerous occasions by grants from the Social Sciences and Humanities Research Council. She has published extensively on women and the Gothic; narrative theory; postmodern fairy tales; performance theory and the history of Irish Cinema for various U.S., Canadian, and UK journals, as well as having her work extracted in The London Times. Zucker’s publications include: The Idea of the Image: Josef von Sternberg’s Dietrich Films (1988), Making Visible the Invisible: An Anthology of Original Essays on Film Acting (1993), Figures of Light: Actors and Directors Illuminate the Art of Film Acting (1995), In the Company of Actors (1999) with a foreword by Sir Richard Eyre, Conversations with Actors on Film, Television, and Stage Performance (2002), and the recently published The Cinema of Neil Jordan: Dark Carnival(2008), with a foreword written by Stephen Rea. Her latest book, Neil Jordan: Interviews is forthcoming from University of Mississippi Press, in early 2013. She has also recently completed her first feature script, Lamia.