Tag: Gilles Deleuze

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  ‘Original Copy’: Inverting Platonism in Abbas Kiarostami’s Certified Copy

  Published in Volume 27, Issue 8-9-10 / October 2023
  Zina Giannopoulou

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  The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia

  Published in Volume 26, Issue 3-4 / April 2022
  Jay Plaat

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  Cinema as Thought: Teorema (Pier Paolo Pasolini, 1968) and Salo (Pier Paolo Pasolini, 1975) 

  Published in Volume 23 Issue 9-10 / October 2019
  David George Menard

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  Temporal Defamiliarization and Mise-en-Scène in Tarkovsky’s Stalker

  Published in Volume 15, Issue 1 / January 2011
  Zoë Heyn-Jones

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  Realism and Reality in Antonioni’s Profession: Reporter

  Published in Volume 14, Issue 4 / April 2010
  Irini Stamatopoulos

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  Time as visualized by the cinematic medium

  Published in Volume 13, Issue 7 / July 2009
  Irini Stamatopoulos

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  Toward a Synthesis of Cinema -A Theory of the Long Take Moving Camera, Part 1

  Published in Volume 7, Issue 8 / August 2003
  David George Menard

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  Toward a Synthesis of Cinema -A Theory of the Long Take Moving Camera, Part 2

  Published in Volume 7, Issue 8 / August 2003
  David George Menard

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  A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 1

  Published in Volume 7, Issue 8 / August 2003
  David George Menard

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  A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 2

  Published in Volume 7, Issue 8 / August 2003
  David George Menard