Tag: Gilles Deleuze
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‘Original Copy’: Inverting Platonism in Abbas Kiarostami’s Certified Copy
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The Neutral, Onirosigns and Any-Body-Whatevers in Nostalghia
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Cinema as Thought: Teorema (Pier Paolo Pasolini, 1968) and Salo (Pier Paolo Pasolini, 1975)
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Temporal Defamiliarization and Mise-en-Scène in Tarkovsky’s Stalker
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Realism and Reality in Antonioni’s Profession: Reporter
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Time as visualized by the cinematic medium
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Toward a Synthesis of Cinema -A Theory of the Long Take Moving Camera, Part 1
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Toward a Synthesis of Cinema -A Theory of the Long Take Moving Camera, Part 2
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A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 1
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A Deleuzian Analysis of Tarkovsky’s Theory of Time-Pressure, Part 2