This link of a wonderful idea was sent to me by an Offscreen contributor, a diversity calendar that will hopefully get people thinking inclusively.
Somehow I thought Dick Miller would just never die. Small people seem to just live longer. Miller was in too many Corman films to remember, pretty much all the good ones, and was a good luck charm for many other directors, who loved to have him on their set. Like Joe Dante. No role was too small for Dick. And no role was too small for Dick to not leave a mark on. A sixty plus year career that finally comes to a stop.
Great Serbian director Dušan Makavejev has passed away at the age of 86, leaving behind a unique body of political and radical work:
Great Hollywood editor Richard Marks passes away at age 75, leaving behind an impressive body of work that includes editing The Godfather 2 and Apocalypse Now.
Actress Sondra Locke died Nov. 3, 2018 at the age of 74. Locke will be most likely remembered as the long-time former girlfriend of Clint Eastwood, acting in six of his seminal films during his heyday of the 1970s, 1980s. I will remember her for her turn in a little seen and practically forgotten chiller from 1972 A Reflection of Fear, where she plays a young mentally disturbed woman named Marguerite who suffers from serious Daddy (played by a pre-Jaws Robert Shaw) issues, that come to the fore when estranged father returns to Marguerite’s coastal town in the company of a sexy girlfriend, played by Sally Kellerman. It is a creepy, get-under-your skin film brimming with sexual tension and one heck of a knock-down twist ending.
A few days ago it was Nicolas Roeg (Nov. 23) and today cinema loses another legend, with the passing of Bernardo Bertolucci (Variety). Bertolucci was at the forefront of International cinema of the 1960s and 1970s, managing to breakthrough into more mainstream acceptance, with films such as Last Tango at Paris, Last Emperor, and The Sheltering Sky, while still maintaining a formal elegance and complexity. The two films, made back to back in 1970, were The Spider’s Stratagem and The Conformist. Essays on both films can be found here and here.
One of the most important and inventive directors (and cinematographers) of his generation, Nicolas Roeg, has died at age 90.
New book by Constance Dilley, Ph.D.
Reception: 5:00–6:30 p.m. in conjunction with Éléphant at the Cinémathèque québécoise, 335 Boul. de Maisonneuve E., Montréal, Québec
Jason Luckerhoff (professor, UQTR)
Claude Martin (honorary professor, U de M and associate professor, UQTR)
Constance Dilley, author (a.k.a. Connie Tadros)
Conference at NYU Steinhardt: Friday May 31st – Sunday June 2nd
The annual conference Music and the Moving Image encourages submissions from scholars and practitioners that explore the relationship between the entire universe of moving images (film, television, video games, iPhone, computer, and live performances) and that of music and sound through paper presentations. We encourage submissions from multidisciplinary teams that have been pooling their knowledge to solve problems or come up with a new perspective regarding music and moving images. The Keynote Speaker is TBA.
Abstracts or synopses of papers (250 words) should be submitted by no later than December 15, 2018.
The program committee includes Frank Lehman of Tufts (author of Hollywood Harmony: Musical Wonder and the Sound of Cinema, Oxford Univ. Press), Jessica Getman of University of Michigan (“A Series on the Edge: Social Tension in Star Trek’s Title Cue.” Society for American Music 9:3. Cambridge University Press), Joakim Tillman of Stockholm University (co-editor of Contemporary Film Music: Investigating Cinema Narratives and Composition, Palgrave Macmillan), and co-editors of Music and the Moving Image, Gillian B. Anderson (Rosita at the Venice Film Festival, Composing for the Cinema, Music for Silent Film 1892-1929: A Guide); and Assoc. Professor, Director & Chair, Ron Sadoff (The Moon and the Son / Co-editor of Routledge Companion to Screen Music and Sound). This year’s conference will run for three days, from Friday May 31st – Sunday, June 2nd, with sessions until Sunday evening. The conference will run prior to the NYU Film Scoring Workshop in Memory of Buddy Baker (June 3rd – June 14th, 2019).
About Muestra de cine de Lanzarote
Muestra de cine de Lanzarote is an independent film festival, organized by Asociación de Cine Tenique. It’s a small scale but rigorously curated annual film festival that taking place on the unique volcanic Canary island of Lanzarote. Under its new artistic director (since 2018), art historian Javier Fuentes Feo, the festival aims to increase the visibility of a type of cinema that expands and develops our way of looking at the world in which we live, and encourages us to fine-tune our sensibility.