Contributors
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Olivier Godin
Olivier Godin makes films and writes for Hors champ. In 2014, a retrospective of his work was presented at the Cinémathèque québécoise. He directed and wrote, in just a few years, five feature films and numerous short films. Through small budgets and a commitment to speech and artisanal filmmaking, one finds in these films knives and swords, the occasional gun, saxophones and trumpets. In short, adventure!
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Reece Goodall
Reece Goodall is a PhD student at the University of Warwick, where is working on an industrial and ideological survey of contemporary French horror cinema. His research interests include horror in France and the USA, genre as a theoretical lens and the interplay of popular media, culture and politics. He has previously written for Horror Studies.
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Claudia Gorbman
Claudia Gorbman is professor of film studies at the University of Washington, Tacoma. She is the author of Unheard Melodies: Narrative Film Music (Indiana and BFI, 1987), and has translated several books from French, including three by Michel Chion and another in the works. She is also currently working on a book on the films of Agnes Varda for the University of Illinois directors series under James Naremore.
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Louis Goyette
Louis Goyette received his Bachelor of Fine Arts in Film Studies from Concordia University and his Master of Fine Arts from the University of Montreal, with a dissertation on the Japanese director Kenji Mizoguchi. He worked on the 2006, Boréal edition of the Dictionary of Québec cinema and contributed extensively to Guide to the Cinema(s) of Canada, Peter Harry Rist, ed., 2001. He also published a text on the experimental films of the artist Charles Gagnon, as part of a retrospective devoted to him, which the Museum of Contemporary Art Montreal exhibited in 2001. Louis wrote occasionally for the online journals Offscreen and Hors Champs, and taught film studies with great passion at Concordia University, University of Montreal, and University of Sherbrooke.
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Paul Douglas Grant
Paul Douglas Grant is the author of Cinéma Militant: Political Filmmaking and May 1968 (Wallflower/CUP 2016) and co-author of Lilas: An Illustrated History of the Golden Ages of Cebuano Cinema (USC Press, 2016). He has translated the work of Serge Daney and Jean-Louis Schefer and his work has appeared in, among others, La Furia Umana, Situations: Project of the Radical Imagination, Film International, TOPIA: Canadian Journal of Cultural Studies, The Brooklyn Rail, Philippine Quarterly of Culture and Society and Senses of Cinema.
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Stephane Grasso
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Ana Grgic
Dr. Ana Grgic is Lecturer in Film, Television and Screen Studies at Monash University Malaysia. She holds a PhD in Film Studies from the University of St Andrews, with a thesis on early cinema in the Balkans, archives and cultural memory (forthcoming monograph with Amsterdam University Press). Her research explores under-researched and peripheral regions and areas of Film Studies (the Balkans, small national cinemas, Eastern Europe), in order to examine how these reflect, contribute to and challenge dominant discourses (Eurocentrism, ethnocentrism, neo-colonialism) in world cinema and filmic representations. She is currently working on an edited collection Contemporary Balkan Cinema: Transnational Exchanges and Global Circuits, which aims to provide a critical and comprehensive analysis of post-2008 global financial crisis trends in subject-matter and aesthetics, through a transnational and cross-cultural study of the region’s national cinemas. Her scholarly contributions include articles and chapters in The Film Festival Yearbook 5: Archival Film Festivals (2013), Frames Cinema Journal (2013), Divan Film Festival Symposium Papers (2014, 2015), Cinemas of Paris (2015), Studies in Eastern European Cinema (2016), Short Film Studies (2017), Film Quarterly (2018), Images (2018) and she regularly writes for the East European Film Bulletin. She has co-edited a special issue on Albanian cinema for KinoKultura, and as a Board member of the Albanian Cinema Project she was involved in the preservation and exhibition of Balkan cinema heritage (Archives in Motion workshops). Ana was also the co-organiser of The 5C Project, a year-long film literacy project funded by the Creative Media, taking place in Croatia, Greece, Romania and Albania.
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Anthony Guadagnano
Born and raised in Montreal, Anthony Guadagnano demonstrated an early interest in visual arts and art history but eventually decided to focus his studies towards cinema. Completing a screenwriting certificate from Université du Québec à Montréal and further along, a Masters Degree in Film Studies from Concordia University, he is mainly interested with Quebec and Canadian film, Queer cinema and pop culture. He is currently pursuing a career in writing both for the screen and for the page.
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Stefan Gullatz
Stefan Gullatz received his PhD from the University of St. Andrews, Scotland, for a thesis entitled A Lacanian Analysis of Selected Novels by Hermann Hesse. He has since published extensively in the area of Lacan oriented film and cultural studies. Gullatz is an External Research Fellow at the Centre for Ideology Critique and Zizek Studies at Cardiff University and teaches Latin at secondary and tertiary level at a number of language schools in Heidelberg, Southern Germany.
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Andre Habib
André Habib somehow became professor of film studies at the Université de Montréal after working as a videostore clerk, while remaining a cinephile and critic, and without ever having been able to direct a movie. He joined the team of Hors champ in 2000, with Simon Galiero, Frédérick Pelletier and Nicolas Renaud. Since 2016 he is chief editor of the journal (with Renaud Desprès-Larose, Nour Ouayda and Olivier Godin). He has published over 250 articles and organized more than 30 public events. He is the author, among others, of La main gauche de Jean-Pierre Léaud (Boréal, 2015) and L’attrait de la ruine (Yellow Now, 2011).
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Mark Andrew Hain
Mark Andrew Hain earned his Ph.D. in film and media studies and American studies from Indiana University, and is revising his dissertation, a cultural history and reception study of the silent film star Theda Bara, into his first book. He is currently the assistant editor for the journal Black Camera.
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David Hanley
David Hanley has a BFA and MA in Film Studies from Concordia University and is currently pursuing a PhD in Canadian Studies at Carleton University, where he has also taught in the Department of Film Studies. As well as being a frequent contributor to Offscreen, he has had pieces published by the University of Toronto Quarterly, Canadian Journal of Irish Studies, Synoptique, The Projector, Isis, and Nuacht. He also contributed several entries to the Historical Dictionary of South American Cinema by Dr. Peter H. Rist (Rowman & Littlefield, 2014), and chapters to the books Reclaiming 1940s Horror Cinema: Traces of a Lost Decade (Lexington Books, 2015) and The Spaces and Places of Canadian Popular Culture (Canadian Scholars’ Press, 2019). He has been a programmer for Cine Gael of Montreal’s annual series of contemporary Irish films since 2011.
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Steffen Hantke
Steffen Hantke has published essays and reviews on contemporary literature, film, and culture in journals and anthologies in Germany and the U.S. He is author of Conspiracy and Paranoia in Contemporary Literature (1994), as well as editor of Horror, a special topics issue of Paradoxa (2002), Horror: Creating and Marketing Fear (2004), Caligari’s Heirs: The German Cinema of Fear after 1945 (2007), and, together with Rudolphus Teeuwen, Gypsy Scholars, Migrant Teachers, and the Global Academic Proletariat: Adjunct Labor in Higher Education (Rodopi 2007). He teaches at Sogang University in Seoul, Korea, in the American Culture Program.
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Peter Harcourt
Peter Harcourt is the author of many articles and publications, including Six European Directors (1974) and A Canadian Journey: Conversations with Time (1994). In 2005 he became a Member of the Order of Canada.
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Matthew Hays
Matthew Hays is a Montreal-based journalist whose work has appeared in The Globe and Mail, The New York Times, The Guardian, Vice, The Daily Beast, Cineaste and Cinema Journal. He is a contributing editor for the national film magazine POV. His book, The View from Here:Conversations with Gay and Lesbian Filmmakers, won a 2008 Lambda Literary Award. He teaches courses in film studies, communication studies and journalism at Concordia University, where he won the 2013 President’s Award for Teaching Excellence. He is the co-editor (with Tom Waugh) of the Queer Film Classics book series.
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Josh Heaps
Josh Heaps is a PhD candidate studying film and critical theory at the University of North Carolina at Chapel Hill.
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Tom Hemingway
Tom Hemingway is a graduate of the University of Warwick, currently researching for his PhD thesis on the aesthetics of post-broadcast comedy television. His research interests include contemporary US cinema (with a focus on film comedy), the ‘Indiewood’ genre, and post-broadcast television programming. He lives in Coventry.
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Leah Hendriks
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Zoë Heyn-Jones
Zoë Heyn-Jones is a Toronto-based researcher and visual artist whose handmade Super 8 and 16mm films have screened locally and internationally. Zoë is a member of the programming collective at Pleasure Dome and serves on the board of directors at LIFT (the Liaison of Independent Filmmakers of Toronto). Zoë is a PhD student in Visual Art at York University, focusing on experimental ethnography and expanded cinema. She studied cinema and anthropology at the University of Toronto, and holds an MA in Film Studies from Concordia University and an MFA in Documentary Media from Ryerson University.
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Zoya Honarmand
